Chavkin is a director, writer and artistic director of the TEAM. Hadestown (NYTW, National Theatre, London) has been one of her greatest joys. Tony and Lortel nominations and Drama Desk Award for Dave Malloy's Natasha, Pierre & The Great Comet of 1812 (Broadway, Ars Nova, A.R.T.). London: Mission Drift (National Theatre), American Clock (Old Vic). Select New York and regional: Marco Ramirez’s The Royale (LCT; Obie Award, Drama Desk and Lortel noms.), Malloy’s Preludes (LCT3), Bess Wohl’s Small Mouth Sounds (Ars Nova and national tour) and Continuity (MTC), Carson Kreitzer’s and Matt Gould’s Lempicka (Williamstown Theatre Festival), The Royal Family ... read more
Vineyard, La Jolla Playhouse and Yale Rep productions of Indecent. Broadway: The Gin Game; The Gershwins' Porgy and Bess; The People in the Picture; Caroline, or Change (also Royal National Theater, London); Elaine Stritch: At Liberty (also National Tour, Old Vic London); Topdog/Underdog (Royal Court); Bells Are Ringing; Parade (directed by Hal Prince; Tony and Drama Desk nominations); Bring in 'da Noise, Bring in 'da Funk (also National Tour, Japan) and The Tempest. Recent: Grounded directed by Julie Taymor, The Library directed by Steven Soderbergh (The Public); La Mouette (Cour d'Honneur, Palais des Papes, Avignon Festival); Abigail's Party (Oslo National ... read more
Originally from Rochester New York, currently resides in Los Angeles working primarily as a sound designer and composer. He attended the University of the Arts receiving a BFA and later studied the Jacque Lecoq approach to avant-garde theatre at the London International School of Performing Arts. Mikaal also writes and directs from time to time. He is currently writing and devising a new headphone play titled Project Black Plague. PBP has received artist residencies at Space on Ryder Farm in upstate New York, UCross Foundation in Wyoming, as well as VoxFest at Dartmouth College in New Hampshire. Mikaal’s sound design ... read more