Good intentions. Bad decisions. Great fun. In Larissa FastHorse’s satirical comedy The Thanksgiving Play, a troupe of really well-meaning theater artists dream of creating something revolutionary: a culturally sensitive, totally inoffensive Thanksgiving school pageant that finally gives a voice to Native Americans. Finding said Native Americans... isn’t so simple. And that’s when things start to get absurd. Sending up a whole feast of social issues, this bitingly funny play roasts everything right, wrong, and woke in America.
Spring doesn't seem the most logical season for the show's Broadway bow, but Rachel Chavkin’s tight production arrives with panache. Costume designer Lux Haac invokes the quintessential drama teacher vibe in Logan’s corduroy wardrobe, while scenic designer Riccardo Hernandez delights in the play’s Bacchanalian twist. Logan mines theatricality from the group with her demands to dig deeper and to be more honest with themselves, then shuts down the bloody spectacle, screeching her fears of the school board. The scene is a moment of triumph for the designers, but it doesn’t move the characters forward, perhaps on purpose. They will always be stuck in a circle of white guilt and trip over themselves while they debate how to escape. The damage is real, both on stages across the nation and off, but FastHorse's exploration of it is for everyone’s benefit, striking the balance between educational and entertaining without hammering home the reminder.
It’s a testament to the breakneck pace of the past eight years that “The Thanksgiving Play” would be better off set when it was written. The substance of its argument is no less pressing: How and by whom stories get told perpetuate systems of power and oppression. But the objects of its satire seem both too easy a mark and already expired. It’s true that vanity, complacency and self-congratulations hinder progress, but such illusions have largely gone up in smoke. The winds of backlash have shifted, the schoolhouse is on fire and the hose is needed elsewhere. To their credit, the players do eventually reach a realization, if one that seems even more obvious today — that white creators ought to do less, leaving space for others to tell their own stories. Hopefully “The Thanksgiving Play” clears the way for future artists like FastHorse to do just that.
Digital Rush
Price: $43
Where: TodayTix.com
When: 9am on the day of the show.
Limit: Two per customer
Information: Subject to availability.
General Rush
Price: $45
Where: Hayes Theatre box office
When: Available 2 hours prior to curtain.
Limit: Two per customer
Information: Determined at the discretion of the box office. Subject to daily availability.
Videos