Production Staff
Lynn Nottage
Playwright
John Lee Beatty
Scenic Design
Broadway: Venus in Fur, Time Stands Still, A View from the Bridge, The Royal Family, The Color Purple, Doubt, Chicago, Dinner at Eight, Proof, Rabbit Hole, Last Night of Ballyhoo, A Delicate Balance, The Heiress, The Most Happy Fella, The Sisters Rosensweig, Burn This, Penn & Teller, Ain't Misbehavin', Talley's Folly, Crimes of the Heart, Morning's at Seven, among others.
Off-Broadway: Other Desert Cities, The Substance of Fire, A Life in the Theatre. Thirty-six seasons with MTC, Lincoln Center, Circle Rep, City Center Encores! Tony, Obie, DD, OCC awards; Theatre Hall of Fame.
Graduate of Brown and Yale School of ... read more
Michael Bodeen
Original Music and Sound Design
Broadway credits include music composition and sound for No Man's Land & Waiting for Godot, Breakfast at Tiffany's and The Miracle Worker and sound for Larry David's Fish in the Dark, Of Mice and Men, This Is Our Youth, Who's Afraid of Virginia Woolf?, Superior Donuts and The Grapes of Wrath. ... read more
Peter Kaczorowski
Lighting Design
More than 35 plays and musicals including Anything Goes; Venus in Fur; Nice Work if You Can Get It; Young Frankenstein; Curtains; Grey Gardens; The Pajama Game; The Producers; Contact; Kiss Me, Kate.
Many productions Off-Broadway and for resident and regional theatres in the U.S. Opera: The Met, NYCO, LAMCO, San Francisco, Houston Grand, Seattle. Abroad: Royal Opera, Scottish Opera, La Fenice, Maggio Festival Florence, L'Arena di Verona, Teatrolirico di Cagliari, Teatro Sao Carlos Lisbon.
He is the recipient of Tony, Drama Desk, Outer Critics, Drama-Logue and Hewes design awards. ... read more
Rob Milburn
Original Music and Sound Design
Broadway music composition and sound credits include: One Flew Over the Cuckoo's Nest, The Speed of Darkness, My Thing of Love, Superior Donuts, A Year with Frog and Toad, Ma Rainey's Black Bottom, Hollywood Arms, King Hedley II, Buried Child, The Song of Jacob Zulu and The Grapes of Wrath. Off Broadway music and sound credits include: Inked Baby, After Ashley, Boy Gets Girl, Red, Space, The Notebooks of Leonardo da Vinci, Marvin's Room, Eyes for Consuela and Ruined. Recent original music and sound credits include: The Bluest Eye (Hartford Stage, Long Wharf Theatre); The Crucible, Good Boys and True ... read more
Jennifer Moeller
Costume Design
Recent credits: “Dickinson” (Apple TV+), Sweat (Broadway), Wrong Man (MCC), Mlima’s Tale (Public), Tiny Beautiful Things (Public), Floyd’s (Guthrie), Cardinal (2nd Stage), Aubergine (Playwrights Horizons), Candide (LA Opera), La Bohème (Kennedy Center). Jennifer has designed productions for Signature Theater; Shakespeare in the Park; Manhattan Theatre Club; Women’s Project; Primary Stages, Shakespeare Theatre Company, Arena Stage, The Old Globe, Williamstown Theatre Festival, McCarter, Baltimore Center Stage, Yale Rep, Oregon Shakespeare Festival, Municipal Theater of Santiago, Chile, Opéra National de Bordeaux, Théâtre du Capitole de Toulouse, and others ... read more
Jeff Sugg
Projection Design
Mr. Sugg is an award-winning designer and theater maker with over 20 years experience in the performing arts. Mr. Sugg has designed for a wide range of productions from Broadway to regional theater to international concert halls. Mr. Sugg has been a collaborator with music/theater artists including The Wooster Group, Julia Wolfe, Cynthia Hopkins, Jim Findlay, and Mikel Rouse. Select theater credits include: Broadway: Tina the Musical (fall 2019), All My Sons, Charlie and the Chocolate Factory (broadway, Tour, Australia), Sweat, Bring It On, 33 Variations. West End: Tina the Musical. His off-broadway and regional credits include Second Stage, The ... read more
Kate Whoriskey
Director
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