This Autumn, ANDREW SCOTT features in SIMON STEPHENS’ adaptation of Anton Chekhov’s masterpiece.
Directed by Sam Yates and designed by Rosanna Vize, VANYA opens at the Duke of York’s Theatre on 15 September running until 21 October.
__Assisted performances:__
Tuesday 3rd October – 7.00pm – BSL Interpreted
Thursday 5th October – 7.00pm – AD Performance
Admittedly, anyone unfamiliar with Chekhov’s text might be bemused. But everyone will recognise the cadences of longing, disappointment, grief and fragile hope. There’s wry humour, too – in Scott’s depiction of housekeeper Maureen, sucking on a cigarette and watching the family antics with weary indulgence; or wheedling Liam, the self-loathing hanger-on so insignificant to the others that they forget he’s there. Only the moment when Ivan softly sings the Jacques Brel standard If You Go Away feels like an unnecessary indulgence. This is theatre that gets under the skin: remarkable.
It is precisely because Scott is so exceptional that we want more than the actorly somersaults he performs. By its nature this playful dramatic experiment cannot allow him to penetrate any one part deeply or devastatingly enough for the tragedy to be truly felt by the end. As a concept, the production bears all the thoughtful postmodern experimentalism of the Wooster Group but because its tone leans towards the mischievous and picaresque, it ends up looking like the Reduced Chekhov Company, certainly in the earlier scenes.
2023 | West End |
West End |
2025 | Off-Broadway |
Off-Broadway Production Off-Broadway |
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