Topdog/Underdog, a darkly comic fable of brotherly love and family identity, tells the story of two brothers, Lincoln and Booth , names given to them as a joke by their father. Haunted by the past and their obsession with the street con game, three-card monte, the brothers come to learn the true nature of their history. Susan-Lori Parks’ Pulitzer Prize-winning masterpiece Topdog/Underdog returns to Broadway for its 20th Anniversary production.
Parks' use of this particular card game as metaphor, in which the dealer has to be really quick to fool his customers - some of whom lose their life savings on a bet -- is rather brilliant. If nothing else, 'Topdog/Underdog' is a show about life's winners and losers. Moreover, Hawkins and Abdul-Mateen, giving two of the best performances I've seen this season (or any season), manage the remarkable feat of making their repetitive practice rounds of three-card monte nothing short of hypnotic. Equally stunning is how the pair precisely captures the dynamic of their sibling relationship, which has been gorgeously laid out by Parks. Despite towering over Hawkins (which is especially noticeable in the scenes in which he wears boxer shorts and his ultra-long legs are displayed) Abdul-Mateen is (until he's not) the adoring, 'smaller' younger brother, constantly looking up to his older sibling for advice and affirmation.
The director of 'Topdog,' Kenny Leon-who was nominated for a Tony for directing the sensitive 2020 revival of 'A Soldier's Play'-emphasizes the dialogue's overheard quality, the shoot-the-shit ease that the brothers have together. His work with the actors is light but sure. Abdul-Mateen-swaggering, buoyant, easily offended-reacts behind the beat, maintaining his optimism for a minute after bad news comes through. Hawkins, on the other hand, stays just ahead of the moment, his shoulders crumpling slightly, like a card that's been thumbed too much, even when the brothers seem to be getting along. They are both wonderful, but Hawkins gives a sly, peekaboo performance that rolls up next to you like a grenade.
2022 | Broadway |
Broadway Revival Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama League Awards | Distinguished Performance Award | Yahya Abdul-Mateeh II |
2023 | Drama League Awards | Distinguished Performance Award | Corey Hawkins |
2023 | Drama League Awards | Outstanding Direction of a Play | Kenny Leon |
2023 | Drama League Awards | Outstanding Revival of a Play | Topdog/Underdog |
2023 | Outer Critics Circle Awards | Outstanding Costume Design (Play or Musical) | Dede Ayite |
2023 | Outer Critics Circle Awards | Outstanding Director of a Play | Kenny Leon |
2023 | Outer Critics Circle Awards | Outstanding Lead Performer in a Broadway Play | Corey Hawkins |
2023 | Outer Critics Circle Awards | Outstanding Revival of a Play | Topdog/Underdog |
2023 | Theatre World Awards | Theatre World Awards | Yahya Abdul-Mateen II |
2023 | Tony Awards | Best Actor in a Leading Role in a Play | Yaha Abdul-Mateen II |
2023 | Tony Awards | Best Actor in a Leading Role in a Play | Corey Hawkins |
2023 | Tony Awards | Best Revival of a Play | Topdog/Underdog |
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