The Father is the acclaimed new play by Florian Zeller, in a translation by two-time Tony winner Christopher Hampton, directed by Tony Award winner Doug Hughes.
The Father offers a fascinating look inside the mind of Andre (Frank Langella), a retired dancer living with his adult daughter Anne and her husband. Or is he a retired engineer receiving a visit from Anne who has moved away with her boyfriend? Why do strangers keep turning up in his room? And where has he left his watch?
...Frank Langella, one of the most magnetic theater actors of his generation...As you may have gathered, 'The Father' offers one of the most disorienting experiences in town. Yet, as directed by Doug Hughes, this Manhattan Theater Club production exudes a cool clarity that borders on the clinical...Donald Holder's expert lighting leans more toward institutional uniformity than creeping shadows - though every so often, it shifts in ways that make you wonder if your eyes aren't playing tricks on you...everyone seems rather puny, compared with Mr. Langella's André, which is the intention. Dementia is ugly, but it is also inherently tragic. That's what Shakespeare saw in King Lear (himself a precursor to the absurdist existential hero). Mr. Langella impressively played that role several years ago, but it's here, in a more prosaic context, that he nails the rage, pathos and cruelty behind that titanic part....
In technical terms, this is an accomplished piece of writing, but there's little heart in it for a play that plumbs such despair, both for the afflicted central character and the family member closest to him. The work will no doubt resonate for audiences with direct experience of a loved one suffering from dementia or Alzheimer's. But a drama that explores such gnawing relatable fears shouldn't have to rely on personal associations for pathos. Zeller's enigmatic construction does skillfully place us inside the woolly head of Andre and make us share in his confusion. But unlike another British import, The Curious Incident of the Dog in the Night-Time, which also gave us direct access to the mindset of a character grappling with perception issues, the stiffness of the writing here leaves relatively little room for empathy.
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Manhattan Theatre Club Original Broadway Production Broadway |
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Theatre for a New Audience Repertory Off-Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2016 | Drama Desk Awards | Outstanding Actor in a Play | Frank Langella |
2016 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Play | Florian Zeller |
2016 | Outer Critics Circle Awards | Outstanding Actor in a Play | Frank Langella |
2016 | Outer Critics Circle Awards | Outstanding New Broadway Play | Florian Zeller |
2016 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Frank Langella |
2016 | Tony Awards | Best Play | Florian Zeller |
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