When a violent storm sinks their whaling ship off the coast of New Bedford, Mass., the four survivors face a reckoning: how far will they go to stay alive? And can they live with the consequences? With music and lyrics from The Avett Brothers (“America’s Biggest Roots Band,” Rolling Stone), whose 2004 “Mignonette” was inspired by an 1884 shipwreck and the struggle of four men to survive, SWEPT AWAY is an electrifying, soul-stirring new musical exploring how facing tragedy can open the door to forgiveness… if only we’ll let it.
You may nevertheless want to ask yourself whether a show whose sound effects include amplified vomit is right for you. For all its hornpipes and full-throated song, its visual panache and masculine eye candy, “Swept Away,” is among the darkest, most unsparing musicals ever to anchor itself on Broadway. And despite the suggestion of rapture in its title, it is really about the gravest decisions humans can make, the depths of souls that are darker than the sea’s.
In thinking about “Swept Away” afterwards, and casually researching the story, I landed on a fascinating tidbit: The 17-year-old cabin boy who was murdered aboard the Mignonette was named Richard Parker, which is the name that Yann Martel gave to the shipwrecked tiger in “The Life of Pi.” This led me to realize that Martel’s novel, ,turned into a Broadway musical of its own, was one of the many works of literature, theater, movies and music that “Swept Away” evoked for me in one way or another. Among these were Moby Dick, Traffic’s John Barleycorn is Dead, Hitchcock’s Lifeboat, Sting’s The Last Ship, Dylan’s Girl from the North Country. These inadvertent evocations didn’t make me view “Swept Away” as derivative. Rather, it left me aware of the qualities that were in insufficient supply – tension and details and meaning.
2020 | Regional (US) |
Berkeley Rep World Premiere Regional (US) |
2024 | Broadway |
Original Broadway Production Broadway |
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