Ichiro Kataoka, one of the world’s handful of practitioners of the lost art of the Japanese benshi, will perform at Film Forum with three Yasujirō Ozu silents: I WAS BORN BUT… (1932) and the comedy short 'A Straightforward Boy' (1929) on Monday, June 19 at 8:15 and THAT NIGHT’S WIFE (1930) on Tuesday, June 20 at 6:20.
Ahead of the opening of priority booking for Friends of the Festival on Saturday, 24 March, details of the full programme for the 67th Wexford Festival Opera are announced. Continuing its tradition of presenting the 'best operas rarely seen', this year's Festival includes a verismo double-bill, a European premiere and a classic Wexford offering involving kidnapping, murder, arson and a posh New York dinner party that doesn't quite go to plan! All this plus three daytime ShortWorks operas, concerts, recitals, theatre and talks. 62 public events over the autumn 17-day period.
Baryshnikov Arts Center's (BAC) Fall 2017 music presentations include BAC Salon: Telemann, Farrin, Wolfe + Prokofiev featuring the New York premiere of a work by Julia Wolfe (October 5 and 6); violin virtuoso Gidon Kremer performing Mieczyslaw Weinberg's 24 Preludes, Op. 100 (October 31 and November 1); and BAC Salon: Pauline Oliveros featuring IONE and International Contemporary Ensemble (November 28).
Baryshnikov Arts Center's (BAC) Fall 2017 music presentations include BAC Salon: Telemann, Farrin, Wolfe + Prokofiev featuring the New York premiere of a work by Julia Wolfe (October 5 and 6); violin virtuoso Gidon Kremer performing Mieczyslaw Weinberg's 24 Preludes, Op. 100 (October 31 and November 1); and BAC Salon: Pauline Oliveros featuring IONE and International Contemporary Ensemble (November 28).
Two years ago I heard the relatively new “Marquee Five” perform a show at the Laurie Beechman Theatre called “8-Track Throwback,” which was a five part harmony homage to the music of the 1960s and '70s. They hadn't gotten even halfway through their set when I realized that in Marquee Five I'd heard my Manhattan Transfer for the new millennium. Marquee Five's style is less jazzy and more pop than the Transfer, and their sound is infused with the tones of a co-ed barbershop quintet, Broadway belting, and holiday season caroling. Marquee Five's new show last Saturday night at 54 Below did nothing to push me off their bandwagon. In Broadway By the Letter: Act One (a set of songs representing the first half of the alphabet), this fabulous five-some once again delivered delicious harmonies on a variety of song styles, standout individual performances, and intricate yet accessible vocal arrangements.
The Hartt School presents a variety of music, dance, and theatre performances this April, many of which are free, and all are open to the public. All events take place at the University of Hartford's main campus, 200 Bloomfield Avenue, West Hartford, CT, unless otherwise noted. Please call the University Box Office at860.768.4228 or 800.274.8587 or visit www.hartford.edu/hartt for tickets and information.
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