Caution: Contains truth, lies and misinformation. You decide.
Rob is putting science and scepticism to the test in his new play. For
research, he speaks to Mary, a mother trying to make the best
decisions for her family, Toby, an angry son who distrusts
institutions, and Edward Jenner, the father of modern vaccinations.
The more he listens, the more he struggles to keep his own
subjectivity off the table, which begs the question – how do you
know who to trust?
Rob Drummond, whose plays are ‘utterly unpredictable’ (The
Stage), explores the politics around vaccines, and the human stories
behind them.
__Assisted Performances:__
Audio Described: 24 October, 7.30pm
Captioned: 21 October, 7.30pm
Relaxed: 19 October, 2.30pm
Drummond does not shy away from these thorny areas and the play is at its strongest when it lets uncomfortable, conflicting opinions hang in the air. But, despite a cracker of a final scene, with so much information stuffed into its structure, the overall impact feels more like an overly tailored education than fluid drama.
Rob Drummond’s new play, Pins and Needles, is a searing indictment of… well, something, I’m just not sure what. And that is, of course, its strength, as it is actually, in heavy disguise, not an indictment of anything, but a celebration of complication. There’s a bit of meta stuff to get through first which, although it has more justification in this script than in most, its irritation still outweighs its cleverness, It’s becoming the theatre gimmick of 2024 taking over from the near ubiquitous onstage handheld camera of 2023.
1937 | Broadway |
Original Broadway Production Broadway |
1978 | Off-Broadway |
Off-Broadway Revival Off-Broadway |
West End |
West End |
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