Powered by the chart-topping hits of the undisputed Princess of Pop, a group of friends goes on a quest to rewrite their stories and redefine “happily ever after.” Once Upon a One More Time weaves 23 of Britney Spears’ smash singles—like “Crazy,” “Oops!…I Did It Again,” “Circus,” “Lucky,” and “Toxic”—into “a big, modern, musical dance party, with Britney’s beating heart at its core” (ABC News). This is more than a musical. This is Broadway’s best night out. “It will leave you breathless. Expect to keep on dancin’ long after it ends!” (Entertainment Weekly)
Amid all the bright lights, loud sound and frenetic staging—at one point, Guarini swings from a chandelier—the musical’s most powerful weapon is its least effortful one: musical-comedy genius Jennifer Simard’s thoroughly original spin on Cinderella’s devious stepmother. With deadpan command and a somehow lugubrious flounce, she brings wit to each word she speaks or sings, whether laying waste to “Toxic” or, flanked by her washout daughters (Tess Soltau and Ann Hillner Larsen), telling the not-yet-liberated Cinderella to “Work Bitch.” Simard is delicious; the rest of the show, if you turn off your brain, is merely yummy in a candy-coated way. That’s not nothing: Once Upon a One More Time is a well-assembled and entertaining diversion. But this is now the third musical currently running on Broadway that features at least one Britney song, and that should give theater lovers pause. Musicals are capable of more ambitious roles than merely carrying Spears.
Friedan’s magnum opus is not the easiest gateway tract, but no matter: it’s only cited as a shorthand signifier. What Friedan in the supposed flesh is doing in this jukebox musical is the real puzzler. Let’s hope that her estate is being duly recompensed for the use of her personage, because her message has been perverted here into mere tokenism. If you really want to honor Friedan’s legacy, consider sitting this one out and contributing instead to one of the causes she fiercely espoused, such as the ever-elusive Equal Rights Amendment promising bodily autonomy – a basic that Spears herself no doubt holds dear.
Digital Lottery:
Price: $47
Where: https://lottery.broadwaydirect.com/show/omt-ny/.
When: Lottery entries for each performance will be accepted starting 9:00 AM the day prior to the performance until 3:00 PM the day prior to the performance. Once the lottery closes, winners will be notified within minutes and will have 60 minutes to claim and pay for tickets.
Limit: Two per customer
Information: Seat locations and number of tickets awarded by the lottery are subject to availability, and some lottery seats may be partially obstructed.
2021 | Washington, DC (Regional) |
Washington, DC (Regional) |
2023 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Drama Desk Awards | Outstanding Costume Design of a Musical | Loren Elstein |
2024 | Outer Critics Circle Awards | Outstanding Featured Performer in a Broadway Musical | Justin Guarini |
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