It's nonstop laughs aboard the Twentieth Century, a luxury train traveling from Chicago to New York City. Luck, love and mischief collide when the bankrupt theater producer Oscar Jaffee (Golden Globe winner Peter Gallagher) embarks on a madcap mission to cajole glamorous Hollywood starlet Lily Garland (Tony and Emmy Award winner Kristin Chenoweth) into playing the lead in his new, non-existent epic drama. But is the train ride long enough to reignite the spark between these former lovers, create a play from scratch, and find the money to get it all the way to Broadway?
There's no gainsaying that the beloved Chenoweth -- seemingly born to play the role (whereas she wasn't nearly right for Fran Kubelik in Promises Promises, her last B'way stint) -- and Gallagher carry off as much of the yuk-hunting love-hate relationship as they can. It's also undeniable that somehow what the book writers kept of the comically combustible give-and-take for this treatment doesn't provide the performers enough to sink their honed teeth into. Comden and Green never supply a sense of what Jaffee did to alienate Lily to the extent he apparently has. Nor do they suggest what her rise to fame might have contributed to her side of the rift.
In fact, On the Twentieth Century is so generous a vehicle (pun completely intended), it even lets the porters have a bona fide showstopper-the tap-tastic Act II opener 'Life is Like a Train. (The charming quartet is composed of Phillip Attmore, Rick Faugno, Drew King and Richard Riaz Yoder.) It's one of many affectionate moments you'll be reflecting on later.
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