Men and Women 1890

City Circle Theatre Company will present the rock musical Spring Awakening at the Coralville Center for the Performing Arts.

What did our critic think of WILLIAM SHAKESPEARE'S AS YOU LIKE IT at Henderson State University-Arkansas Hall?

Henrik Ibsen's timeless classic A Doll's House has made it back to Broadway season in a newly streamlined production from playwright Amy Herzog and Tony-nominated director Jamie Lloyd, and starring Academy Award-winner Jessica Chastain in the iconic role of Nora Helmer.

Performance Space New York has announced the Spring 2023 season of its Healing Series, the second part of its year-long reflection on the political potency of healing and the role performance plays in it, in the midst of what feels like a momentous shift in art-making to foreground modes and practices of care.

Verdi's Falstaff is another glittering gem in the train of Union Avenue Opera. I'm not a big fan of 're-purposing' classic plays. Poor Shakespeare! He's been subjected to such vandalism over the years with modern 'concept' versions of his works. No, I do not want to go to see a trendy lesbian-Hamlet-on-Mars!

Excellent production with extremely topical and relevant message, now more than ever.

Quintessence Theatre Group, Philadelphia's professional classic repertory theatre, announces the extension of The Reclamation Repertory,  a rotating repertory of Pearl Cleage's epic historical fiction Flyin' West and Alexandre Dumas fils' enduring tragic romance Camille.

McCarter has announced its 2022-23 season featuring a robust lineup of theater, music, dance, comedy, spoken word, and family programming - and a special Toni Morrison project in partnership with Princeton University.

Yale Repertory Theatre will conclude its 2022 season with Between Two Knees. The play, written by the intertribal sketch comedy troupe The 1491s and directed by Eric Ting, is presented with Oregon Shakespeare Festival. Between Two Knees will be performed May 12–June 4 at Yale Repertory Theatre (1120 Chapel Street).

The video was recorded at Immersive Van Gogh Los Angeles and was released in commemoration of Van Gogh’s birthday and World Bipolar Day on Wednesday, March 30. Viewers are encouraged to make a donation to support the ISBD. Watch the new mnusic video now!

In honor of Vincent van Gogh’s birthday on Wednesday, March 30 IMMERSIVE VAN GOGH, the critically-acclaimed art installation at The Shops at Crystals (adjacent to ARIA) in Las Vegas has announced that the exhibit has been extended at Lighthouse ArtSpace Las Vegas through Labor Day, September 5, 2022.

Everything these days seems to be ephemeral. With the attention span of a gnat, Americans lose interest faster than it took to write this sentence. Squirrel! Platforms such as TikTok, Instagram and Tinder (swiping for love based on appearances alone) is ever-shortening society's ability to focus and appreciate longevity. With an insatiable appetite for newer and better, the world has embraced change for change's sake. Longevity is, ironically, a thing of the past. That's why it's beyond remarkable that Theatre Memphis is now celebrating its 100th Anniversary Season with the opening of HELLO, DOLLY! (Now through September 19th). 100 years of the Memphis community coming together to put on a show-that's quite a feat! Like a fine wine, Theatre Memphis seems to be just getting better and better with age. Not only have the production values increased immensely over the past few years, but the overall space itself has been infused with millions of dollars in gorgeous renovations. Everything seems to be peaking for TM at just the right time.

The program will feature eight large-scale installations that propose modes of address grounded in research and propelled by empathy that will allow visitors to negotiate the unsettling conditions that define our current reality.

Yale Repertory Theatre will welcome audiences back to its theaters beginning in January 2022 for a season of three plays! The season will begin with a new production of Today is My Birthday, a critically-acclaimed comedy about loneliness in the age of connectivity, written by Susan Soon He Stanton and directed by Mina Morita.

Merrimack Repertory Theatre will present the New England premiere of A Woman of the World by Pulitzer Prize finalist Rebecca Gilman from May 15-30.

Kate Champion’s (Director) presentation of Kendall Feaver’s adaptation of Miles Franklin’s MY BRILLIANT CAREER proves that the Australian classic still holds a relevance in the 21st century. 

Heather Orth stars as mysterious opium den proprietress Princess Puffer in Foothill Music Theatre's new production of Rupert Holmes' rollicking musical comedy a?oeThe Mystery of Edwin Drood.a?? A Tony Award winner for Best Musical, the show is based on an unfinished novel by Charles Dickens. As the novel was left incomplete, so is the show - up to a point. When the cast reaches the part in the story where Dickens left off, they put a vote to the audience at each performance as to how the show will end. Ms. Orth has been gracing Bay Area stages with astonishing frequency as of late. She possesses a big, flexible voice and the ability to charm the pants off you or break your heart with her emotional transparency. BroadwayWorld caught up with her recently while she was still in the thick of rehearsals for a?oeDrood.a?? She has often played characters older than she is, and as she matures one gets the sense she may just be coming into her own as a musical theater performer, and even bigger opportunities may be on the horizon.

Pepperdine University's Frederick R. Weisman Museum of Art will present Rodin and Women: Muses, Sirens, Loversa?"Selections from the Iris and B. Gerald Cantor Collections from Saturday, January 18, 2020 until Sunday, March 29, 2020. A special opening reception will be held Sunday, January 19, 2020 from 3a?"5 p.m. There is no admission charge and the public is invited to attend.

The Minnesota Opera (MN OPERA) christened their new season at St. Paul's Ordway Center with Richard Strauss' 1909 score of ELEKTRA combined with a libretto by Hugo von Hofmannsthal. After a century, Strauss' Elektra, a tragic Greek myth, confronts the wrath of God on men, and the revenge of families on their own parents and siblings to disastrous results. A stellar creative team, which inhabits all the MN Opera productions, provides a modern twist to the ancient myth, where the action has been forwarded to the early 1900's. At that time, Austrian filmmaker and producer, Fritz Lang (1890-1976), made history directing silent film noira?"when melodramas were a consistent source of entertainment. 

Australian writer Oriel Gray's Playwright's Advisory Board co-winner for Best Play in 1955, THE TORRENTS, finally gets a Sydney Premiere thanks to Sydney Theatre Company and Black Swan State Theatre Company.

Written in 1868, the year that the Finborough Theatre's building was constructed, The first London production in over 120 years of Dion Boucicault's rip-roaring Victorian melodrama, After Dark; or, A Drama of London Life, directed by the multi-award-winning Phil Willmott, opens at the Finborough Theatre for a four week limited season on Wednesday, 12 June 2019 (Press Nights: Wednesday, 19 June 2019 and Thursday, 20 June 2019 at 7.30pm).

BWW Review: LA RONDE at The Exit On Taylor is a modern updating of Schnitzler's scandalous sex romp adding a feminist perspective.

New York's PROTOTYPE OperaTheatreNow Festival returns for its seventh season from January 5 to the 13th and the one thing that you can't ask about it is “What's new?” That's not because there's nothing to answer. On the contrary--there's too much, in style, in content, in the sizes of its venues: This year's Festival is larger than ever, with a dozen works, 24 composerlibrettists and over 150 collaborators.

The York Theatre Company celebrates the release of three new original cast recordings of York productions from the 2017-2018 season: Desperate Measures, Unexpected Joy, and Lonesome Blues.

SPRING AWAKENING is currently on stage at Blank Theatre Company! SPRING AWAKENING features music by Duncan Sheik, book & lyrics by Steven Sater, based on the play by Frank Wedekind, orchestrations by Alan Stevens Hewitt, vocal arrangements by AnnMarie Milazzo, and string orchestrations by Simon Hale.