“The world has never had a good definition of the word liberty, and the American people, just now, are much in want of one” Abraham Lincoln
1865. The United States are disunited by politics, power and race. To celebrate the end of Civil War, a victorious Abraham Lincoln goes to the theatre. Not long into the show a man walks in and shoots him. Who was he? Why did he do it? And why does it matter now?
In the lead up to a tumultuous American election this November, the award winning Simple8 examine the present by visiting the past, with a searing new play about John Wilkes Booth, the actor who assassinated a President.
The seven-strong company share multiple roles except for the magnetic Brandon Bassir, who devotes his energies fittingly to the bloody-minded Booth, a man who views the fatal bullet as “a strike against the elite”. Bassir introduces another layer of meta-textual commentary channelling Taxi Driver’s Travis Bickle (who influenced Reagan’s would-be killer) whenever Booth slips into smarmy wooing mode. Meanwhile, Clara Onyemere would make a riveting Lincoln even without the irony of a Black female actor playing the role in a year which could give the US its first Black female president.
Outside of Lincoln’s more reflective and confrontational scenes, Land of the Free becomes somewhat frustrating. If the intention is to draw parallels between history and the present, it often feels too heavy-handed, with moments that border on a lecture as the ensemble directly explains events to the audience. If the goal is to explore the psyche of those who fuel political unrest, it falls short, as the characters remain underdeveloped and one-dimensional. It feels like the show is trying to do too much at once. While there are some exceptionally clever devices throughout – Julius Caesar comparisons, the use of placards to contextualise – by the second act, they start to feel overused and lose their impact.
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West End |
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