Set in the magical world of La Belle Epoque in turn-of-the-century Paris, GIGI is a timeless romantic comedy about a young woman groomed in the custom of her family to be a companion to a bored, wealthy playboy, until the two unexpectedly realize this is in fact true love.
This year marks the 40th Anniversary of the debut of Gigi on Broadway. Lerner and Loewe's Tony Award-winning score was first heard in the 9-time Academy Award-winning Best Picture of the same name, directed by Vincente Minnelli. The movie, which was the last of the classic MGM musicals, was based on the Broadway play by Anita Loos and the popular novella by Colette.
Alan Jay Lerner and Frederick Loewe's beloved musical GIGI will return to Broadway in a production directed by Tony Award-nominee Eric D. Schaeffer (Follies), in a new adaptation by acclaimed British playwright and Emmy-nominated screenwriter Heidi Thomas ("Cranforde," "Upstairs Downstairs," "Call the Midwife".)
This is a costly production and in terms of the design, that money has been very well spent. Derek McClane's set is a Belle Époque fantasia, Natasha Katz's lighting is sumptuous, and Catherine Zuber's gorgeous, sensual costuming should sew up the Tony win nicely. Joshua Bergasse's choreography is acrobatic and playful, if perhaps somewhat overblown in The Gossips and The Night They Invented Champagne. The orchestra sounds wonderful and some of the songs are a treat.
There's nothing to offend their tender sensibilities in this antiseptic version of 'Gigi'...Rather than empowering Gigi, putting more years on her makes this young adult seem dimwitted instead of innocently naive. In the same blundering way, drastically dropping the age of her jaded older suitor incongruously forces the boyish Corey Cott ('Newsies') into the unconvincing guise of that sophisticated boulevardier Gaston Lachaille. Now that the kids are perfectly matched, there's no longer any intergenerational sexual tension between the principals. Further distorting the characters' original relationship, Hudgens ('High School Musical') has the clarion voice and aggressive delivery of an unabashed Broadway belter, which gives Gigi vocal dominance over Gaston's delicately voiced tenor...Who hasn't lost their minds in this ill-conceived adaptation? The designers, for sure, have held their own...But if the physical look of the show suggests Paris...whenever someone opens his mouth, we're dragged back to America, where nice people don't do naughty things.
2015 | Washington, DC (Regional) |
Kennedy Center Production Washington, DC (Regional) |
2015 | Broadway |
Broadway Revival Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2015 | Drama Desk Awards | Outstanding Costume Design | Catherine Zuber |
2015 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Victoria Clark |
2015 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Victoria Clark |
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