Fiddler on the Roof Revival 2018

Tickets for the uptown transfer of the critically-acclaimed National Yiddish Theatre Folksbiene production of Fiddler on the Roof in Yiddish will go on sale to the public beginning on Monday, December 17, 2018.

Go behind the scenes of the National Yiddish Theatre Folksbiene's critically-acclaimed Yiddish language production of Fiddler on the Roof with Michael Einav, as he takes over the BroadwayWorld Instagram tomorrow, December 8th! Follow along as Einav takes you behind the scenes of the show! Be sure to tune in!

On Monday night, Bette Midler attended the National Yiddish Theatre Folksbiene's presentation of Yiddish Fiddler on the Rood.

The National Yiddish Theatre Folksbiene's Off-Broadway production of Fiddler on the Roof in Yiddish, directed by Academy and Tony Award winner Joel Grey, will be releasing a cast album. The cast recording, released by Time Life Music and distributed byWarner Music Group, will be available in 2019, with an official date to be announced before the show transfers to Off-Broadway's Stage 42 in February.

The Chanukkah story celebrates miracles - and this holiday season, National Yiddish Theatre Folksbiene (NYTF) invites families to enjoy a theatrical miracle Off-Broadway: the acclaimed and unprecedented Yiddish language Fiddler on the Roof at the Museum of Jewish Heritage in Lower Manhattan.

Last night was a momentous occasion at the Museum of Jewish Heritage. The National Yiddish Theatre Folksbiene's Yiddish language production of Fiddler on the Roof, which recently extended its run through December 30 to meet the high demand for tickets, celebrated its 100th sold out performance. Check out photo from the celebration below, at which, the cast lifted their director, Joel Grey, in his chair!

The 104-year old National Yiddish Theatre Folksbiene's (NYTF) critically-acclaimed Yiddish language production of Fiddler on the Roof, playing at the Museum of Jewish Heritage (MJH), is extending its run through December 30 to meet the high demand for tickets. The unprecedented success of the Yiddish language Fiddler on the Roof has inspired the production, presented with English and Russian supertitles, to be extended four times since its July 4th debut due to sold-out audiences. This is the final extension.

The 104-year old National Yiddish Theatre Folksbiene's (NYTF) critically-acclaimed sold-out Yiddish language production of Fiddler on the Roof, playing at the Museum of Jewish Heritage (MJH) is extending for 14 more performances-including a special 104th presentation. A first for NYTF, the unprecedented success of the Yiddish language Fiddler on the Roof has allowed the production, presented with English and Russian supertitles, to be extended twice since it's July 4th debut.

National Yiddish Theatre Folksbiene's Yiddish language Fiddler on the Roof has become one of the hottest tickets of the summer, with its run at the Museum of Jewish Heritage just extended through October 25th. But the tradition might endure beyond October...

TEVYE SERVED RAW opened Tuesday, July 17th. Just two nights earlier, the NYT/Folksbiene opened the first American production of FIDDLER ON THE ROOF in Yiddish. Two of the stars of that highly successful production were in attendance at the opening of TEVYE SERVED RAW. Jackie Hoffman, who plays Yente in FIDDLER, and Daniel Kahn, who plays Perchik, were the first to jump to their feet at the evening's standing ovation.

The highly anticipated American premiere of the Yiddish language Fiddler on the Roof, presented by the National Yiddish Theatre Folksbiene (NYTF) opened last night, Sunday, July 15. Let's see what the critics had to say.

BWW Review: EL VIOLINISTA EN EL TEJADO / FIDDLER ON THE ROOF at @teatroastral @weprensa

This past Hanukkah I witnessed a kind of miracle in modern times: Toho Stage's Fiddler on the Roof, performed in Japanese by an all Asian company. The quintessential Jewish musical set in Imperial Russia in 1905 is based on Tevye and his Daughters and other tales by Sholem Aleichem about a poor dairyman's attempts to maintain his cultural and religious traditions in a changing world.