Juicy is a queer, Southern college kid, already grappling with some serious questions of identity, when the ghost of his father shows up in their backyard, demanding that Juicy avenge his murder. But here’s the rub! Revenge doesn’t come easy to Juicy, a sensitive and self-aware young Black man in search of his own happiness and liberation. From an uproarious family cookout emerges a compelling examination of love and loss, pain and joy. The deliciously funny, Pulitzer Prize-winning play from James Ijames and director Saheem Ali reinvents Shakespeare’s masterpiece.
For a while there’s some satisfaction in experiencing the ways Ijames inventively reconceives Shakespearean plot points and characters. And, on the design front, it’s clever to replace the usual Danish fog with smoke from a BBQ pit on Maruti Evans’ set. Yet you start to get the sense that more effort was spent on meticulously setting up the pins than finally knocking them down. The ending is mush. Still, the cast’s energy is warm and enveloping throughout. Spears’ Juicy, with his sideways glances and Charlie Brown sincerity, is more lovable than any melancholy Hamlet you’ll ever see. Jones doesn’t come across evil enough to kill anybody, but he’s a font of mischievous energy.
“Fat Ham” is now opening on Broadway after its two-month run last summer at the Public Theater. It hasn’t changed much, but it’s better. It has the same design and stagecraft, but bigger and more elaborate to fit the larger Broadway stage; it presents the same actors, except their performances are crisper and more confident. It is essentially the same production, but I enjoyed it more on second viewing. That’s because I focused more on scenes like the one with the smiley balloon. Sure, “Fat Ham” won the 2022 Pulitzer Prize for Drama, and the play is inspired by “Hamlet,” loosely adopting the plot and even using some verbatim soliloquys from Shakespeare’s tragedy. But I could forget about the expectations that were raised (and dashed) by these prestige signifiers the first time around, and now relish the silly, sexy and surreal moments that director Saheem Ali make pop in James Ijames’s raunchy, freewheeling comedy. Even the serious concerns, peeking out from beneath the playfulness, have more impact.
Digital Rush
Price: $39
Where: On the Today Tix app.
When: Released on a first-come, first-served basis every performance day at 9 AM.
Limit: Two per customer
Information: Subject to availability.
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