Drac is back and he’s ready to take a bite out of the Big Apple! DRACULA, A Comedy of Terrors is a Bram-new comedy that New Yorkers can really sink their teeth into. Filled with clever wordplay and anything-goes pop culture references, it’s a 90-minute, gender-bending, quick-changing, laugh-out-loud reimagining of the gothic classic, perfect for audiences of all blood types.
In the treacherous mountains of Transylvania, a meek English real estate agent takes a harrowing journey to meet a new and mysterious client, who also just happens to be the most terrifying and ferocious monster the world has ever known: Count Dracula! As famed female vampire hunter Jean Van Helsing and company chase Drac from Transylvania to the British countryside to London and back, their antics are guaranteed to increase your pulse and cause bloodcurdling screams—of laughter.
Under Greenberg’s rapid-fire no-holds-barred direction, the 90-minute farce of a fright fest is framed in the meta-theatrical device of five Actors presenting a play, with four of them performing multiple quick-change roles (sometimes opposite themselves at a dizzying pace), in a laugh-out-loud mash-up of the Victorian era and now.
Gordon Greenberg and Steve Rosen’s diverting new Dracula, which just opened at New World Stages, is subtitled A Comedy of Terrors, which gives you a hint of the zaniness that’s in store. Think Monty Python, with fewer silly walks. The madcap, manic Tricycle Theatre production of The 39 Steps. Perhaps a dash of the Ridiculous Theatrical Company, without the glitter.
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