Need a new musical to die for? Based on the iconic 1992 film, Death Becomes Her is Broadway's new laugh-out-loud musical comedy. The acclaimed new musical is directed and choreographed by Tony Award winner Christopher Gattelli, features a book by Marco Pennette, and an original score by Julia Mattison & Noel Carey.
Madeline Ashton is the most beautiful actress (just ask her) ever to grace the stage and screen. Helen Sharp is the long-suffering author (just ask her) who lives in her shadow. They have always been the best of frenemies…until Madeline steals Helen’s fiancé away. As Helen plots revenge and Madeline clings to her rapidly fading star, their world is suddenly turned upside down by Viola Van Horn, a mysterious woman with a secret that’s to die for. After one sip of Viola’s magical potion, Madeline and Helen begin a new era of life (and death) with their youth and beauty restored…and a grudge to last eternity.
The film on which the musical is based (starring Meryl Streep, Goldie Hawn, and Bruce Willis) has earned cult status for its biting satire, groundbreaking special effects, and iconic performances by Meryl Streep, Goldie Hawn, and Bruce Willis. Directed by Robert Zemeckis, the film explores themes of vanity, immortality, and the absurd lengths people go to in pursuit of eternal youth. Its sharp humor and campy tone, coupled with its innovative use of early CGI technology, have made it a standout in the genre.
Over the years, Death Becomes Her has become a cultural touchstone, celebrated for its queer appeal, memorable one-liners, and commentary on society's obsession with beauty and aging. Its enduring popularity is reflected in frequent revivals, tributes, and its influence on subsequent works in film and fashion.
Before the musical arrived on Broadway, it played at the Cadillac Palace Theatre in Chicago in early 2024. Both the Chicago and original Broadway productions were led by Megan Hilty, Jennifer Simard, Christopher Sieber, and Michelle Williams.
So if you want perfection, look no further than Death Becomes Her.
To delve into that sort of darkness more might be upsetting, and potentially less brand-friendly for Universal, but the surface level-focus of Death Becomes Her kept gnawing at me. It also stalls the show’s second act. Once you have Madeline and Helen taking swings at each other—and yes, shovel combat is never not funny—the production has little new territory to cover, thematically or emotionally. The plot barrels on as the enthusiasm wanes, from both the audience and the performances. Sieber’s character, the most obvious voice for a grounding rebuttal to Helen and Madeline’s obsession with eternal youth, has a solo that’s too silly by half, a duet with a talking paint can. Stuck in the mode of camp exuberance, Gattelli powers through the rest of the action by means of a chase sequence (echoes of Some Like It Hot, though not Nicholaw-level precise) toward an anticlimactic finale. As on film, Helen and Madeline end up as allies, each dependent on the other to patch up her body. They cruise, forever youthful, toward eternity, making fun of other people’s funeral services. They leave us with a wink and meta-joke, a song about how they’ll never have an ending, but if they did, it might go a little like this … The conceit’s cleverly nipped and tucked, the work of fine theatrical plastic surgery, hard to dislike and ultimately—as a medical examiner might say of these women—without a heartbeat.
Since Act 2 narratively does not have as much drive or emotion as the first, and the songs are still mush, Gattelli should have included even more body horror schtick. The Demi Moore film “The Substance” is a lesson in how upping the gore ante can rev up a story. But whenever the material sags, like aging skin, its sensational stars inject the show with new vibrancy. Even if the musical doesn’t have a discernible heartbeat, Hilty and Simard ensure “Death Becomes Her” stays fun and fabulous.
2024 | Broadway |
Original Broadway Production Broadway |
Videos