The year is 1973 and it's all happening. Led Zeppelin is king, Richard Nixon is President, and idealistic 15-year-old William Miller is an aspiring music journalist. When Rolling Stone magazine hires him to go on the road with an up-and-coming band, William is thrust into the rock-and-roll circus, where his love of music, his longing for friendship, and his integrity as a writer collide. Almost Famous is about a young man finding his place in the world and the indelible characters he meets along the way. It's a celebration of community, family, fandom and the power of music.
Rarely has rock 'n' roll looked and sounded as boring and tedious as it does in the strange Broadway mess that is Almost Famous (Bernard B. Jacobs Theatre, booking to April 9, 2023). This is odd, as the musical is based on the popular Oscar-winning film, written and directed by Cameron Crowe, who also wrote the book and lyrics for the stage show (music and other lyrics by Tom Kitt). Semi-autobiographical, it features teenage journalist William Miller (Casey Likes) as he wheedles his way, by faking being much older on the phone, into following a dysfunctional rock band called Stillwater to make his writing debut in Rolling Stone in 1973. The result, on stage, is wince-inducing-a leaping, sing-songy, wishy-washy, toothless, sanitized, and humorless version of what that era of rock 'n' roll was.
Tom Kitt wrote the music for “Next to Normal,” and with “Almost Famous,” he is credited as co-lyricist and composer of most of the score. He is at his best with dreamy ballads like “Morocco,” nicely sung by Pfeiffer, that convey a sense of elusive longing. But after a few of these songs, Kitt’s penchant for the 4/4 time signature becomes a kind of corn syrup poured over the entire score. The real Stillwater songs “Fever Dog” and “I Come at Night” make brief appearances, when the band is practicing or performing onstage. More telling is the use of Elton John’s “Tiny Dancer” to end Act 1 – a verbatim re-creation of a scene from the movie. What is happening here as the band travels on the road in their bus? Did someone in Stillwater turn on the radio, and having a brief lapse of good taste, prefer Elton John to anything written by Tom Kitt?
2019 | San Diego, CA (Regional) |
The Old Globe Premiere Production San Diego, CA (Regional) |
2022 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Music | Tom Kitt |
2023 | Drama Desk Awards | Outstanding Sound Design of a Musical | Peter Hylenski |
2023 | Drama Desk Awards | Outstanding Wig and Hair | Campbell Young Associates |
2023 | Theatre World Awards | Theatre World Awards | Casey Likes |
2023 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Tom Kitt |
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