HARRY POTTER AND THE CURSED CHILD Sets Toronto Closing Date
Harry Potter and the Cursed Child will end its record-breaking run at the CAA Ed Mirvish Theatre in Toronto on July 2, 2023. At a run of 13 months and more than 425 performances, Harry Potter and the Cursed Child will set a record for the longest-running professional play in Canadian history.
Toronto's HARRY POTTER AND THE CURSED CHILD Extends Through June 4, 2023
The Canadian Premiere production of Harry Potter and the Cursed Child has released additional tickets from $69 for sale just in time for the gift-giving season. Ten more weeks of performances will be added, March 21 – June 4, 2023. The new block of tickets goes on sale on Saturday December 10, 2022 at 9:45 AM ET in celebration of Platform 9 ¾ at King's Cross train station in London.
HARRY POTTER AND THE CURSED CHILD Extends 12 Weeks in Toronto
Due to unprecedented demand, Toronto's Harry Potter and the Cursed Child, at the newly remodeled CAA Ed Mirvish Theatre, extends its run yet again. Twelve more weeks of performances will be added from December 27, 2022 through March 19, 2023. Find out how to get tickets.
A HARRY POTTER AND THE CURSED CHILD Celebration to Take Place in Yonge-Dundas Square
The all-Canadian cast of Harry Potter and the Cursed Child is now ensconced in the newly re-modelled CAA Ed Mirvish Theatre where they are in the midst of technical rehearsals in preparation for the show’s first performance on Tuesday May 31st. To mark that day, a special public celebration will be held at Yonge-Dundas Square from 12 noon – 2 pm.
BWW Review: MOTHER NIGHT at 59E59 Theaters is an Excellent Play Full of Intrigue
The New York City premiere of Mother Night, based on the 1962 novel by Kurt Vonnegut is now being performed at 59E59 Theaters through November. This riveting story has been superbly adapted and directed by Brian Katz. It features a talented cast that brings Vonnegut's intense tale of romance, deception, and Anti-Semitism to the stage.
KURT VONNEGUT'S MOTHER NIGHT Launches The Fall Season At 59E59 Theaters
59E59 Theaters is thrilled to present the NYC premiere of KURT VONNEGUT'S MOTHER NIGHT, adapted and directed by Brian Katz. Produced by The Custom Made Theatre Company with Executive Producers William & Ruth Isenberg and Leah Abrams, and Producer Jay Yamada, KURT VONNEGUT'S MOTHER NIGHT begins performances on Friday, October 5 for a limited engagement through Sunday, November 3.
59E59 Announces Fall 2018 Season
59E59 Theaters (Val Day, Artistic Director; Brian Beirne, Managing Director) is proud to announce the line-up of shows for the 2018 Fall Season.
IF SAND WERE STONE Announces Cast of Off-Broadway Debut as Part of 2018 New York Musical Festival
Creators Carly Brooke Feinman and Cassie Willson are thrilled to announce the casting for their original musical If Sand Were Stone, making its Off-Broadway debut this July as part of the 2018 New York Musical Festival's (NYMF) Next Link Project. Featuring original music by Ms. Willson and original book & lyrics by Ms. Feinman, If Sand Were Stone will play a 5-performance run at The Acorn Theatre at Theatre Row beginning July 18, 2018.
BWW Review: THE HYPOCHONDRIAC at the Stratford Festival is a Clever Laugh-Riot
A hysterical production of THE HYPOCHONDRIAC opened on Thursday night at the Stratford Festival and the audience clearly enjoyed it thoroughly. Directed by Artistic Director, Antoni Cimolino, and starring Stephen Ouimette, this production is a version by Richard Bean based on Chris Campbell's literal translation of Moliere's comedy-ballet LE MALADE IMAGINAIRE (The Imaginary Invalid). Its humour seamlessly moves from crass poop jokes to clever satire, and everything in between, allowing for a very enjoyable experiencing that will leave you doubled over and laughing so hard that you might end up with more gut pain than the titular character claims to have!
BWW Review: AS YOU LIKE IT at the Stratford Festival is a Fun Night at the Theatre
AS YOU LIKE IT opened on Friday at the Stratford Festival's Festival Theatre with a party…a literal party. Director, Jillian Keiley has set this production in her native Newfoundland, and as such, the play starts and finishes with the actors dancing about the stage and in the aisles whilst an on-stage band plays East-Coast inspired music. In addition to being given the East-Coast treatment, the production is also set in the 1980's-and I must say that the costumes are the bombdigitty!