Norbert Schultze

He had the audience in the palm of his hand.

It was all too quickly over, but the audience would have stayed all night.

El proximo 29 de octubre a las 20.00 tendra lugar en el Teatro Real de Madrid LTIMO TANGO EN BERL N, un concierto en que Ute Lemper ofrecer un repertorio muy suyo.

'Without Dietrich, there would have been no Madonna...and no Gaga,' Janice Hall announced at the outset of her brilliant revival of GRAND ILLUSIONS: THE MUSIC OF MARLENE DIETRICH, the most recent installment of Stephen Hanks' New York Cabaret's Greatest Hits. Co-produced by Father Jeffrey R. Hamblin and flawlessly directed by Peter Napolitano, Hall's show---for which the former opera singer won both MAC and Bistro awards in 2011 and 2012, respectively---seamlessly weaves together the music and life of the enigmatic movie star and international cabaret sensation whose greatest creation, in Hall's words, 'was herself.'

On the second night of this year's 26th Annual Cabaret Convention, Jeff Harnar and Andrea Marcovicci hosted A Sentimental Journey: World War II Songs, inspired by Marcovicci's memorable Oak Room at The Algonquin show, I'll Be Seeing You--Love Songs of World War II. (The CD is highly recommended.) As always with this pair's Convention contribution, the show was a treat in part because of its singular glamour. Much of our audience was exceptionally familiar with and nostalgic about these songs. A few had to be politely quieted for singing along, more than a few took each other's hands. It seems I've heard that song before . . . the co-hosts begin, warming the room.

Ute Lemper first visited Australia two decades ago and, for her 20th Anniversary tour, she has brought something new, a set of songs that she has composed in collaboration with Argentinean bandoneonist, Marcelo Nisinman, setting the love poems of Chilean poet, Pablo Neruda