Matthew Kimbrough

Having seen the musical HAMILTON when it was in Los Angeles, like many others I learned more important details about the founding fathers while watching it than I felt I had ever learned in school. Lin-Manuel Miranda who created that uber-successful musical in 2015, has said that 1776 THE MUSICAL, written in 1969, during another time of political and social unrest in the United States, has 'one of the best books-if not the best-ever written for musical theatre.' And now I can say I certainly agree with him. In fact, The perfect way to prove the arts can teach valuable history lessons to its audiences is by encouraging everyone to see 1776 THE MUSICAL, presented by La Mirada Theatre for the Performing Arts and McCoy Rigby Entertainment with musical direction by Jeff Rizzo and impeccably directed & staged by Glenn Casale through Sunday, February 3, 2019 at La Mirada Theatre for the Performing Arts or at The Soraya at CSUN from Friday, February 8 through Sunday, February 10.

A brilliant cast and production highlights McCoy Rigby Entertainment's '1776,' with bravura performances from Andy Umberger (John Adams), Peter Van Norden (Benjamin Franklin) and John Barbour (Edward Rutledge).

La Mirada Theatre for the Performing Arts and McCoy Rigby Entertainment present the award-winning and revolutionary 1776 THE MUSICAL at the Younes and Soraya Nazarian Center for the Performing Arts (The Soraya), February 8 through 10. 1776 THE MUSICAL, the Tony Award winner for Best Musical (1969) and has music and lyrics by Sherman Edwards and book by Peter Stone. It is directed by Glenn Casale with musical direction by Jeff Rizzo.

LA MIRADA THEATRE FOR THE PERFORMING ARTS & McCOY RIGBY ENTERTAINMENT (celebrating its 25th Silver Anniversary at the theatre) are thrilled to present the award-winning and revolutionary 1776 THE MUSICAL, with musical direction by Jeff Rizzo and directed & staged by Glenn Casale. 1776 THE MUSICAL will preview on Friday, January 11, 2019 (with a press opening on Saturday, January 12 at 8pm) and runs through Sunday, February 3, 2019 at La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd in La Mirada.  

LaMirada and McCoy Rigby Entertainment will present the award-winning and revolutionary 1776 THE MUSICAL, with musical direction by Jeff Rizzo and directed & staged by Glenn Casale. 1776 THE MUSICAL will begin previews on Friday, January 11, 2019 (with a press opening on Saturday, January 12 at 8pm) and runs through Sunday, February 3, 2019 at La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd in La Mirada.

Crown City Theatre Company presents a World Premiere play, NIGHT HAWKS by Dennis A. Pratt & Robert Vincent O'Neil, directed by Barry Pearl and Robert Vincent O'Neil. NIGHT HAWKS is a unique and provocative story about 2 old men caught in the crossfire of their own personal purgatory.

Crown City Theatre Company presents a World Premiere play, NIGHT HAWKS by Dennis A. Pratt & Robert Vincent O'Neil, directed by Barry Pearl and Robert Vincent O'Neil. NIGHT HAWKS is a unique and provocative story about 2 old men caught in the crossfire of their own personal purgatory.

Thornton Wilder's classic Our Town has been a part of my American cultural mindset since high school, practically all my life. And, of course, being a New Englander, it is not very hard to put myself into Grover's Corners, New Hampshire, even though the time period for the play 1901-1913 is about 30 + years before my existence. People are people and daily life was pretty much the same; things - except cars replacing horse and buggy - didn't really start changing until the middle of the 20th century. Now in this spaced out, high tech, faster-than-the-speed-of-light world we live in, it's nice to look back and see how it once was and reflect on what it maybe should be. On the Broad stage through February 12 only, David Cromer's fascinating staging puts his audience smack dab in the middle of the town and makes us believe we have time-traveled back to this simpler but just as psychologically complicated era. How inexpensive things cost, how people trusted one another, and how they amused themselves by reading, attending choir practice or actually conversing with one another instead of being glued to the TV set or sidetracked by other low quality, insignificant perversions! But there were some who just could not cope, like Mr. Stimson, the alcoholic choir director, who ended up committing suicide. We've all known people like him. So, the play is timeless. And somehow contemporary dress for the actors is not a hindrance to our accepting who and where they are, as it makes them like us, as we all fit together into one big macrocosm.

Thornton Wilder's classic Our Town has been a part of my American cultural mindset since high school, practically all my life. And, of course, being a New Englander, it is not very hard to put myself into Grover's Corners, New Hampshire, even though the time period for the play 1901-1913 is about 30 + years before my existence. People are people and daily life was pretty much the same; things - except cars replacing horse and buggy - didn't really start changing until the middle of the 20th century. Now in this spaced out, high tech, faster-than-the-speed-of-light world we live in, it's nice to look back and see how it once was and reflect on what it maybe should be. On the Broad stage through February 12 only, David Cromer's fascinating staging puts his audience smack dab in the middle of the town and makes us believe we have time-traveled back to this simpler but just as psychologically complicated era. How inexpensive things cost, how people trusted one another, and how they amused themselves by reading, attending choir practice or actually conversing with one another instead of being glued to the TV set or sidetracked by other low quality, insignificant perversions! But there were some who just could not cope, like Mr. Stimson, the alcoholic choir director, who ended up committing suicide. We've all known people like him. So, the play is timeless. And somehow contemporary dress for the actors is not a hindrance to our accepting who and where they are, as it makes them like us, as we all fit together into one big macrocosm.