Kt Shorb

Ground Floor Theatre has announced the return to live theatre with an updated 2021 season schedule along with two titles for the 2022 season, and the second quarter GFT In Residence Artist. After moving rain falls special on me and Anna in the Tropics from the 2020 season, GFT has now set dates for both.

Ground Floor Theatre has announced submissions are open for GFT In Residence, a new quarterly artist in residence program that began the end of 2020. This new program allows Ground Floor Theatre to expand their mission driven work supporting art by and for unrepresented communities.

Consortium of Asian American Theaters and Artists (CAATA) announces its new, monthly ConFest Virtual Series featuring the work of Asian American artists and theatres from across the country. The virtual series will explore the theme of the upcoming 7th Annual Asian American Theater Festival & Conference (ConFest) 'Kuʻu ʻĀina, Kuʻu Piko, Kuʻu Kahua - Return to the Source' in Honolulu, Hawaiʻi in May 2021, which centers the voices of Native Hawaiian and Pacific Islander theater practitioners and will feature the thriving theater community of Hawaiʻi, where Asian American, Native Hawaiian, and Pacific Islander faces on stage are the norm, not the exception.

The University of Texas at Austin Department of Theatre and Dance presents The Women of _______ (a song not song) by I-Chia Chiu, kt shorb and the ensemble February 13-17, 2019 at the Oscar G. Brockett Theatre.

The University of Texas at Austin Department of Theatre and Dance presents The Women of _______ (a song not song) by I-Chia Chiu, kt shorb and the ensemble February 13-17, 2019 at the Oscar G. Brockett Theatre.

MEN ON BOATS is hands down, must-see theatre! This production accomplishes what all plays aspire to, but few achieve - all-around excellence. The crew's journey, described by Sides as 'an apt metaphor for the peril faced by many in our society on a daily basis, ' is fraught with important meaning while still maintaining levity and fun. This 'rollicking' sometimes vulnerable show reminds its audience to find adventure in their own lives. After all, we only get one.

The Consortium of Asian American Theaters & Artists (CAATA), dedicated to advancing the field of Asian American theater, announces Chicago as the host city for the Sixth National Asian American Theater Conference and Festival (ConFest), to be held August 13 - 18. ConFest Early Bird passes start at $350 and are available at CAATA.net beginning Wednesday, May 16 at 10 a.m.

The Consortium of Asian American Theaters & Artists (CAATA), dedicated to advancing the field of Asian American theater, announces Chicago as the host city for the Sixth National Asian American Theater Conference and Festival (ConFest), to be held August 13 - 18. ConFest Early Bird passes start at $350 and are available at CAATA.net.

WHITE RABBIT, RED RABBIT has been called a play. This experiment in audience participation is an experience that has become a global sensation that no one is allowed to talk about. The award-winning playwright, Nassim Soleimanpour, is Iranian. While he himself has been censored in his homeland, this work has escaped his country and thus has escaped censorship and is always presented without a set or director. Each actor (it is a different actor each night, and each actor can only perform it once) opens and performs the script, following Soleimanpour's instructions, before the audience that evening. They experience it right along with the audience for the first time. WHITE RABBIT, RED RABBIT is a unique experience that is different each night and is unlike anything you've experienced before

Set over the course of a business lunch in a Japanese restaurant in an undisclosed U.S. locale, 893 | YA-KU-ZA follows Aya's (Mia King) bid to become the first female member of the infamous Japanese crime syndicate. A meeting has been arranged with a man known only as 1 (kt shorb) to discuss bringing Aya on board and what 1 expects from her. Daria Miyeko Marinelli's new play explores the themes of ambition, power, and loyalty, by asking what it means to be first and then examining what one is willing to do to get there.

HERE begins its 2015-2016 Producing Season with Genet Porno, by HERE Resident Artist Yvan Greenberg / Laboratory Theater.  This production, developed through the HERE Artist Residency Program (HARP), marks a premiere.  Genet Porno plays a limited engagement September 9 - 26 at HERE (145 Sixth Avenue, just below Spring Street).

HERE begins its 2015-2016 Producing Season with Genet Porno, by HERE Resident Artist Yvan Greenberg / Laboratory Theater.  This production, developed through the HERE Artist Residency Program (HARP), marks a premiere.  Genet Porno plays a limited engagement September 9 - 26 at HERE (145 Sixth Avenue, just below Spring Street).

HERE announces its 2015-2016 producing season, featuring three HERE Resident Artist productions, an Artistic Director production, the fourth annual PROTOTYPE: Opera/Theatre/Now festival and HERE's yearly CULTUREMART festival, which gives audiences a first look at new work in process from artists in the HERE Artist Residency Program (HARP).  The multidisciplinary works in HERE's 2015-2016 season represent the culmination of commissions and developmental residencies of up to three years through HARP, and/or the Dream Music Puppetry Program.

BroadwayWorld-Austin is pleased to share these production photos from the World Premiere production of Still Now, a new play by Katie Bender. Still Now is produced by Shrewd Productions.

For its 19th Annual Festival, the Los Angeles Women's Theatre Festival will return for the third consecutive year to The Electric Lodge, the nation's first solar-powered multidisciplinary arts center.

For its 19th Annual Festival, the Los Angeles Women's Theatre Festival will return for the third consecutive year to The Electric Lodge, the nation's first solar-powered multidisciplinary arts center.

Stage Left Studio (Cheryl King, Artistic Director) announces the line-up for the 5th annual Women at Work Festival. This festival features work by and/or about women, and is a benefit for The Girl Effect, which works with girls around the world to help them attain self-sufficiency.

Stage Left Studio (Cheryl King, Artistic Director) announces the line-up for the 5th annual Women at Work Festival. This festival features work by and/or about women, and is a benefit for The Girl Effect, which works with girls around the world to help them attain self-sufficiency.

Stage Left Studio (Cheryl King, Artistic Director) announces the line-up for the 5th annual Women at Work Festival. This festival features work by and/or about women, and is a benefit for The Girl Effect, which works with girls around the world to help them attain self-sufficiency.