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Review: Cherubini's MEDEA with a Shattering Radvanovsky Opens Met Season, Proving 'Hell Hath No Fury like a Woman Scorned' (Sep 28, 2022)
Review: Cherubini's MEDEA with a Shattering Radvanovsky Opens Met Season, Proving 'Hell Hath No Fury like a Woman Scorned' (Sep 28, 2022)
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Review: Cherubini's MEDEA with a Shattering Radvanovsky Opens Met Season, Proving 'Hell Hath No Fury like a Woman Scorned'
Written over 400 years ago, Cherubini’s MEDEA finally made it to the Met on the season’s opening night, in a new production by David McVicar. Was it worth the wait? If you take it for Sondra Radvanovsky’s performance in the title role, a chilling, a Herculean task, it earns an unqualified yes. She’s not afraid to rant and rave, or emit ugly sounds to show off her anger.
Written over 400 years ago, Cherubini’s MEDEA finally made it to the Met on the season’s opening night, in a new production by David McVicar. Was it worth the wait? If you take it for Sondra Radvanovsky’s performance in the title role, a chilling, a Herculean task, it earns an unqualified yes. She’s not afraid to rant and rave, or emit ugly sounds to show off her anger.
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