Alexandra Tavares

Best friends, betrayals, love, and lust - Keiko Green’s new work, The Bed Trick, has it all. Seattle Shakespeare's first new commissioned work is set to be a complete hit. Skillfully directed by Makaela Milburn, the dorm window blinds have opened at the Center Theatre at Seattle Center.

This weekend, Intiman Theatre and The Seagull Project opened their outstanding, heart-wrenching, and purposefully uncomfortable production of Maxim Gorky’s The Lower Depths. Housed at the Erickson Theater, the extremely cohesive 14-person cast takes the audience on a journey that is intertwined with effective social commentary and award-worthy performances.

Intiman Theatre and The Seagull Project have announced the cast for their upcoming co-production of Maxim Gorky's masterpiece, The Lower Depths.

Seattle Rep has announced the cast and creative team for their upcoming Public Works production of The Tempest, adapted with music and new lyrics by Todd Almond and originally conceived and directed by Lear deBessonet.

One thing that can be said about Book-It Repertory Theatre, Dear Readers, is that they know how to surprise and thrill. Their 2016 productions of “The Brothers K” still live rent free in my head. So, when I heard they were tackling a novel such as Stanislaw Lem’s “Solaris”, currently playing at the Center Theater, I was dubious but excited. Taking on this Sci-Fi/thriller/love story is not an easy thing to do. It’s been attempted many times including a few movies, the most recent in 2002 with George Clooney, but to put the Solaris Space Station up on stage sounded like a stretch. But then, I did say they always surprise, and they did this time, as well as thrill.

THE SIGN IN SIDNEY BRUSTEIN’S WINDOW is a complicated story about complex people dealing with complex issues that reveals some simple truths. Ideals and reality clash with reverberating effects. The play forces you to consider your beliefs, commitments, the value of honesty, and what we bring and take from relationships. You will be challenged, provoked, prodded, and rewarded.

Intiman Theatre and The Williams Project have announced the cast and creative team for their co-production of Lorraine Hansberry's The Sign in Sidney Brustein's Window, the first professional production in Seattle. All ticket tiers are now available for the play which will show February 7-25, 2023 at the Erickson Theatre (1524 Harvard Ave. Seattle 98122) as part of Intiman's residency at Seattle Central College. 

In this time of year with black cats, ghouls and ghosts, and things that go bump in the night, it stands to reason that Seattle Shakespeare would bring out one of the bloodier and creepier of Shakespeare’s canon, “Macbeth”, or “the Scottish play” as it’s known by superstitious theater folk who don’t wish to incur its curse. And while this production, directed by the incredible John Langs, hits most of the right notes (in more ways than one), there was one major point of the show that just didn’t work for me. But we’ll get to that in a minute.

Rehearsals began yesterday for Seattle Shakespeare Company's fall production of Macbeth, which runs from October 25 to November 20.

Seattle Shakespeare Company shared changes to their previously announced 2022-2023 season, swapping out the first two shows.

Do you like a good ghost story, Dear Readers? I do. I love it when a creepy tale can make my flesh crawl and jump out of my seat. But there are so few creepy tales on stage. Well, enter Lucas Hnath’s “The Thin Place” currently performing at ACT. Not only is this a truly terrifying tale but it’s from one of the hottest new playwrights around today, author of “Dana H” and “A Dolls House, Part 2”. Add into that a stellar cast and you have a frightfully fun evening on your hands.

ACT - A Contemporary Theatre today announced complete casting for its highly-anticipated production of The Thin Place by Obie award-winning playwright Lucas Hnath. 

If you're going to put up an autobiographical play, then you need at least one of two things. You either need a life, or a moment in your life, in which something extraordinary happened, or you need to have moments that amount to a message or meaning that is not widely known by your audience. The Seattle Rep's world premiere of Anna Ziegler's a?oeThe Great Momenta?? has neither of these things. Instead, it amounts to one of my theatrical pet peeves, someone else's therapy on stage.

With great excitement, Seattle Rep presents the world premiere production of The Great Moment this fall, an autobiographical new play from award-winning playwright Anna Ziegler (Photograph 51).

With The 19th Annual Festival of New Musicals taking place this upcoming weekend, Village Theatre is excited to announce the casting for XY, an uplifting musical about identity and coming to terms with your past; Cold Turkey, a wild and funny satire; Modern, an inspiring tale about a group of Amish teenagers; Eastbound, an poignant story about Chinese brothers in search of a home they've never known; and Cowboy Bob, an adventurous rock musical about a bank-robbing woman. The Festival will take place in Issaquah August 9-11, 2019 and provides an essential platform for writers to develop new works. Past Festival shows include Tony and Pulitzer Prize-winning shows such as Next to Normal and Million Dollar Quartet, as well as Broadway and Off-Broadway hits: It Shoulda Been You, Desperate Measures, Lizzie, and many more.

OK, so putting up a dark and moody production of Anton Chekhov's 'Uncle Vanya' may sound redundant but remember, this is The Seagull Project. They've spent the last eight years killing it with all things Chekhov and now with the completion of the main plays, the dark and moody tone isn't so much the story but the way it's presented that thrilled.

Dear Readers, it has been one crazy year with some amazing theater. You know it's true. We've had dead teens riding a roller coaster, demonic puppets, and an ageless guy with a picture of himself in his attic. And, of course, a hip-hop founding father sweeping through town. But let's not talk about the juggernaut when we have such amazing things right here that blew us all away. At least they blew me away. So, let's talk about what blew me away this past year and what I have chosen to give my BWW 2018 Seattle Critic's Choice Awards (Jay's Picks) to (not to mention all those honorable mentions since often I can't limit myself to just one).

Seattle Public Theater tends towards the darker, edgier plays. That's not to say they're adverse to a comedy now and then as is evident with their next offering, 'Hand to God' which I saw on Broadway and laughed my butt off all the way through but still a very dark comedy. But I digress. Typically, they lean toward stories with grit, pathos and anguish. Now I'll admit that their choices don't always hit with me but when they do they hit hard. Past shows like 'On Clover Road' or 'Grounded' still reverberate in my memory as shows that managed to grab me by the heart and soul and shake me around like a little rag doll. Such is the case with their current offering, 'Ironbound' by Martyna Majok.

At a bus stop in a run-down New Jersey town, Darja, a Polish immigrant cleaning lady, is done talking about feelings; it's time to talk money. Over the course of 20 years, and three relationships, Darja negotiates for her future with men who can offer her love or security, but never both. Award-winning playwright Martyna Majok's IRONBOUND is a darkly funny, heartbreaking portrait of a woman for whom love is a luxury-and a liability-as she fights to survive in America.

Peter Morgan's brilliant look at the dissection of one of the most powerful men in the country by one whom many considered a joke, 'Frost/Nixon', is enough of an enticement to want to see Strawberry Theatre Workshop's current production. But then when you hear that director Greg Carter has cast the predominantly male show with all women you could find yourself of two minds. Either, 'cool, this will be interesting' or, 'oh, another gimmick casting'. But I want you to put the idea that it's an all-female cast out of your mind as that's not the point. Sure, it's great that these actresses get to play these meaty, traditionally male roles but what you should focus on is how each of them, especially Alexandra Tavares and Amy Thone as the titular David Frost and Richard Nixon, are simply the best people for the roles. And what they create for us is a thrilling game of cat and mouse where the role of the cat keeps changing.