Joseph Charlton is a multi-award-winning writer from the north east of England. He is currently adapting his play Brilliant Jerks into an eight-part series for the BBC. He worked previously as a journalist.
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Theatre credits include: Blindness (Donmar Warehouse/UK Tour/Royal Theater Carré, Amsterdam/Daryl Roth Theatre, New York); Inside (Orange Tree); The Band Plays On (Sheffield); Dick Whittington (National); Fairview (Young Vic); Equus (Stratford East/ETT/Trafalgar Studios/UK Tour); The Glow, Seven Methods of Killing Kylie Jenner, Pah-La (Royal Court); Snowflake (Kiln); The Last of the Pelican Daughters (Complicité, Edinburgh/Royal & Derngate); Cuckoo (Soho); Armadillo (The Yard); Rockets and Blue Lights (Royal Exchange, Manchester); Reasons to Stay Alive (Sheffield/ETT/UK Tour); One (Manchester Home/UK Tour/International Tour); Summer Rolls (also Bristol Old Vic), A Pupil (Park); Faces in the Crowd, Mephisto [A Rhapsody], Dear Elizabeth, The Human Voice ... read more
As Video Designer, theatre credits include: Gently down the Stream (Stathmos Theatre, Athens); Anna X (VAULT Festival); Phaedra I- (Tristan Bates); Three Poems (Coronet); Luck Out, Super Duper Close Up, The Roulette Player (The Yard); Don’t Tell me Not to Fly (Edinburgh Fringe); Persona, Loula (Neos Cosmos Theatre, Athens); The Last Black Cat (Horn Theatre, Athens); Address Unknown (KET, Athens); Ubu and the Truth Commission (Apollo, Syros).
As Set Designer, theatre credits include: Gently down the Stream (Stathmos Theatre, Athens); Salome, Servant of Two Masters (Alpha, Athens); Coriolanus (Simeion, Athens); The Dance of Death (Emporikon, Athens); Address Unknown; (KET, Athens); Freedom ... read more
As Set and Costume Designer, theatre credits include: 846 Live (Greenwich + Docklands International Festival); Me for the World (Young Vic); Ducklings (Manchester Royal Exchange); The Tide (UK Tour); Not Now Bernard (Unicorn Theatre). As co-Set and Costume Designer: For All the Women Who Thought They Were Mad (Stoke Newington Town Hall).
As Costume Designer, theatre credits include: Ragtime (ArtsEd); Tales of the Turntable (Southbank Centre). As Costume Supervisor: The Winter’s Tale (Shakespeare’s Globe).
Film credits include: My Name is Leon, Myrtle, Fourteen Fractures; Fellow Creatures, Swept Under Rug.
Natalie is a set decorator trainee through the Talking Point Mentoring Network, and a ... read more
Daniel Raggett is a director who has worked with theatres including the Young Vic, Headlong, the Almeida and the National Theatre; and as an associate director on productions in the West End and on Broadway. His recent work as director includes Jean Cocteau’s The Human Voice at the Gate (also adapted) and, as associate, All About Eve in the West End and Network and West Side Story on Broadway.
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Theatre credits include: Youth Without God (Coronet); Mephisto (A Rhapsody), The Human Voice (Gate); #HonestAmy (Pleasance, Edinburgh); Sonny (ArtsEd); Anatomy of a Suicide (Central School of Speech & Drama); The Jumper Factory (Young Vic); The Winter’s Tale (National Theatre & Schools Tour); The Mysteries (Manchester Royal Exchange); Zoo (Theatre 503/VAULT Festival); Shadows (Eurydice Speaks) (Schaubühne, Berlin).
As Associate, theatre credits include: Macbeth; Hedda Gabler (National, UK & Ireland Tours); The Girl on the Train (West End/UK & Ireland Tour); The Hairy Ape (Park Avenue Armory, New York).
Other work includes: sound design for the audio dramas Selling Dreams and Twig, as part ... read more
