Time and the Conways - Broadway Creative Team

Time and the Conways Broadway

Production Staff

J.B. Priestley Playwright
Christopher Akerlind Lighting Designer
Broadway: End of the Rainbow, The Gershwins’ Porgy and Bess, 110 In The Shade (Tony nom.), Shining City, Well, Awake and Sing! (Tony nom.), Rabbit Hole, The Light In The Piazza (Tony, Drama Desk, Outer Critics awards), Reckless, The Tale of the Allergist’s Wife, Seven Guitars (Tony nom.), among others. Recent: King Lear (Public Theater), Kdo! (Foret Nationale, Brussels), Kafeneion (Athens Festival), Garden Of Earthly Delights (Minetta Lane); Orpheus X (TFANA), Kaos (NYTW). Awards: Obie/Sustained Excellence, among others. ... read more
Sydney Beers Producer
(General Manager, Roundabout Theatre Company)
Sydney Beers joined Roundabout Theatre Company in 1995. She has held various positions at the organization, including Director of Sales and Director of Administration. As Roundabout’s General Manager, she oversees the company's Broadway and off-Broadway productions across five venues. She is also the Executive Producer on all of Roundabout's musicals. Prior to Roundabout, she had worked at the Shakespeare Theatre, Walnut Street Theatre Company and Delaware Theatre Company. Sydney is a graduate of Catholic University and has studied theatre abroad at various intuitions such as Oxford University, the Royal Shakespeare Company and London University. She is proud to be member ... read more
Denise Cooper General Manager
Denise Cooper is the General Manager of Roundabout Theatre Company's American Airlines Theatre. ... read more
Steve Dow Producer
(Chief Administrative Officer, Roundabout Theatre Company)
In October of 2016, Steve was elevated to the position of Roundabout Theatre Company's Chief Administrative Officer, after serving as the Associate Managing Director since 2014. In this position, Steve is responsible for oversight of the administrative functions of the organization including finance, legal, facilities and operations, audience services, human resources, information technology and institutional management. Prior to joining Roundabout, Steve worked at Bespoke Theatricals (formerly Nina Lannan Associates) for over seven years during which time he served as General Manager or Associate General Manager of numerous Broadway productions and tours. Steve received an M.F.A. with honors from Columbia University ... read more
Kathy Fabian Production Properties Supervisor
Fabian has created props for over 90 Broadway productions. Recent credits include The Wiz, I Need That, Purlie Victorious, Camelot, Pictures from Home, Between Riverside and Crazy, A Beautiful Noise, The Piano Lesson, POTUS, and American Buffalo. Other Broadway Credits: All My Sons, True West, American Son, Burn This, Pretty Woman, Indecent, Sunday in the Park with George, Falsettos, Fiddler on the Roof, On Your Feet!, If/Then, Rocky, The King and I, and Kinky Boots. Recent Off-Broadway: Night of the Iguana, Trevor. ... read more
Todd Haimes Producer
(Artistic Director/CEO, Roundabout Theatre Company)
Todd Haimes joined Roundabout as the Executive Director at the age of 26. From 1983 to 1990, he served in that position, overseeing the company's finances, marketing and fundraising. Mr. Haimes has been the Artistic Director of Roundabout Theatre Company since July 1, 1990, and he became the Artistic Director and CEO in 2015. Prior to joining RTC, Mr. Haimes held positions at Westport Country Playhouse and the Hartman Theatre. He is the former president and currently serves on the board of ART/NY. Mr. Haimes has a Bachelor’s Degree from the University of Pennsylvania and an MBA from Yale University. ... read more
Deborah Hecht Dialect Consultant
Broadway: War Paint, Groundhog Day, Fool for Love, Act One, Venus in Fur, God of Carnage, Long Day's Journey Into Night (with Redgrave and Hoffman), Exit the King, numerous others. Off-Broadway: Public, LCT3, Signature, Playwrights Horizons, others. Regional/international: Goodman, Westport, Two River Theater, Williamstown, others. Royal National, Royal Shakespeare Company. Film/TV: numerous. Faculty: Juilliard. ... read more
Matt Hubbs Sound Designer
Credits: The Royale (Lincoln Center Theater, Old Globe); Indecent (La Jolla Playhouse, Yale Rep, Vineyard); Natasha, Pierre and the Great Comet of 1812 (ART, Ars Nova, Kazino); Time and the Conways (Old Globe); Stage Kiss, 100 Saints You Should Know (Playwrights Horizons); Marie Antoinette (ART, Yale Rep, SoHo Rep); Three Pianos (NYTW, ART); The Human Scale (The Public); Telephone (Foundry Theatre); How We Got On, Death Tax, A Devil at Noon (Humana Festival); Hammock and Blueprints of Relentless Nature (Liz Lerman Dance Exchange). As a company member of The TEAM, Matt has designed Roosevelvis, The Holler Sessions, Waiting for You ... read more
James Latus Production Stage Manager
Broadway: The Pee-wee Herman Show, Dr. Seuss’ How The Grinch Stole Christmas, Elaine Stritch At Liberty, Stones In His Pockets, Bells Are Ringing, The Capeman. The Public Theatre: 24 productions, most recently King Lear, Road Show, All’s Well That Ends Well. Off-Broadway: Endgame, The Great American Trailer Park Musical, The Persians, Chinese Friends, Memory House. Numerous other Regional and International productions. ... read more
Julia C. Levy Producer
(Executive Director, Roundabout Theatre Company)
Julia C. Levy has more than 30 years of experience in the not-for-profit sector. She joined the Roundabout Theatre in February 1990 as Director of Development with the primary responsibility of managing the annual fundraising campaign. In her 25 years with the company, Julia has helped guide its growth from a small off-Broadway company operating one theatre to a leading not-for-profit institution with five theatres in the Broadway district. She works closely with the Board of Directors to ensure the artistic excellence and financial health of the organization. She has a broad range of experience managing multi-million dollar annual and ... read more
Leah J. Loukas Hair and Wig Design
Broadway: Time and the Conways; Marvin’s Room; Natasha, Pierre and the Great Comet of 1812; Sweat; Oh, Hello!; The Heidi Chronicles, On the Town, A Night with Janis Joplin; Vanya and Sonia and Masha and Spike; American Idiot; Irena’s Vow. The Public Theater: Sweat, Plenty, Barbecue, Fortress of Solitude. Shakespeare in the Park series: Julius Caeser, Taming of the Shrew, Love’s Labour’s Lost, Into the Woods. Ms. Loukas has designed various productions at many regional theaters including: La Jolla Playhouse, Paper Mill Playhouse, Dallas Theater Center and The Muny. ... read more
Stephen Milosevich Assistant Stage Manager
Roundabout: Long Day's Journey Into Night. Broadway: Sunday in the Park With George, Something Rotten!, Fun Home, Rocky. Off-Broadway: A Midsummer Night's Dream; Hir; Bootycandy; Mr. Burns, a post-electric play; The Great God Pan; Detroit; American Hero. Regional: Williamstown Theatre Festival, Tent Theatre. ... read more
Neil Patel Set Designer
Recent Designs include Father Comes Home From the Wars (Parts 1, 2 & 3) (Royal Court London), Mughal-e-Azam (NCPA Mumbai), Born for This (The Broad Stage, L.A.), The Crucible (Glimmerglass Festival), Indian Ink (Roundabout), Mr Burns, a post-electric play and Stage Kiss (Playwrights Horizons) and Norma (L.A. Opera). TV/film production design for "The Path" (Hulu), "In Treatment" (HBO), "Little Boxes" (Netflix), Some Velvet Morning (Tribeca Films). Exhibition designs for Space, Force, Construction; VAC Foundation, Venice. ... read more
Thomas Schall Fight Director
More than 60 Broadway shows, including The Front Page, The Crucible, Blackbird, The Color Purple, Waitress, The King and I, War Horse, This Is Our Youth, Of Mice and Men, Romeo and Juliet, Lucky Guy, Death of a Salesman, Venus in Fur, A View From the Bridge. He has worked extensively at the Lincoln Center (Disgraced, Blood and Gifts), the Public Theater (Hamlet, King Lear, Mother Courage, Father Comes Home From The Wars), MTC (Ruined, Murder Ballad), NY Theatre Workshop (Red Speedo, Othello), and the Met Opera (Le Nozze di Figaro, Il Trovatore). ... read more
Rebecca Taichman Director
Select Off-Broadway: How To Transcend A Happy Marriage and The Oldest Boy by Sarah Ruhl (LCT); Luck of the Irish by Kirsten Greenidge (LCT3); Familiar by Danai Gurira, Stage Kiss by Sarah Ruhl, Milk Like Sugar by Kirsten Greenidge (Playwrights Horizons); Orlando by Sarah Ruhl (CSC); Orpheus (NYCO); Dark Sisters (MTG/Gotham); Menopausal Gentleman (The Ohio). Regional includes productions at Yale Rep, La Jolla Playhouse, Shakespeare Theatre Company, The Old Globe, ART, Oregon Shakespeare Festival, McCarter, Woolly Mammoth. Rebecca is a Henry Crown Fellow at The Aspen Institute, and a graduate of the Yale School of Drama. tre Company), the world ... read more
Frank Ventura Etiquette and Period Movement
Broadway: The Winslow Boy, The Importance of Being Earnest, After Miss Julie, The Constant Wife, Top Girls, Tartuffe, Winchell. Off-Broadway/regional: No Frills, The New York Idea, The Critic, School for Lies, The Heir Apparent, The Liar, The Way of the World, The Misanthrope. Founder, CAP21. ... read more
Paloma Young Costume Designer
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