Hailed by The New York Times as "a genuinely epic production," The Lehman Trilogy comes to Broadway after acclaimed, sold-out runs at London's National Theatre, the Park Avenue Armory, and in London’s West End. The story of a family and a company that changed the world, The Lehman Trilogy unfolds in three parts over a single evening. Academy Award and Tony Award winner Sam Mendes directs Simon Russell Beale, Adam Godley and Adrian Lester as the Lehman brothers, their sons, and grandsons. On a cold September morning in 1844, a young man from Bavaria stands on a New York dockside dreaming of a new life in the new world. He is joined by his two brothers, and an American epic begins. 163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, triggering the largest financial crisis in history. Book now to witness this "remarkable exercise in storytelling" (The Washington Post) from the National Theatre and Neal Street Productions. The New York Post suggests "you dare not miss it. Do anything you can to get a ticket."
If I sound a bit lukewarm about the results, it is because I did not immediately warm to 'The Lehman Trilogy.' But Mr. Mendes's staging is gloriously imaginative, and Simon Russell Beale, Adam Godley and Adrian Lester, the three English character actors who comprise his cast, are prodigiously gifted changelings who all play men, women and children at various points in the show. Without exception, they do so with a light and witty touch that draws the sting from the words they speak, which are too often portentous and never truly poetic ('At 70 he will obtain perspective / at 80 fall into decrepitude / and at 90 years old a man is as good as dead/and can no longer participate in the affairs of the world'). By the end of the second act, whose curtain comes down on the morning of Oct. 24, 1929, I had put aside my preconceptions and was completely on board with what the creators of 'The Lehman Trilogy' were trying to do.
The Broadway epic The Lehman Trilogy, which tells the story of the Lehman Brothers and their finance company over the span of 164 years, rarely stops spinning. Es Devlin's magnificent glass house of a set, designed to evoke the firm's offices at the time of its collapse in 2008, rotates on a turntable as history moves forward; wrapped on the walls around it is a giant cyclorama, where Luke Hall's black-and-white video design sweeps the action from New York Harbor to the antebellum South and beyond. Meanwhile, Stefano Massini's play takes the raw materials of the Lehmans' rise and fall and processes them into a vibrant yarn about greed and American values. It leaves you dazzled and a little dizzy.
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