The Dark Is Light Enough 1955

In the world of jukebox musicals, the best way to ensure something entertaining and enjoyable is to either use the music in an organic way, often telling the story of the artist themselves or to go the opposite route and create something over the top with a loose narrative, allowing the audience to focus primarily on the music they love and the performances on stage.

Hoping to catch a play or musical in the near future but can't make it to New York City? Look no further than BroadwayWorld's comprehensive guide to all of the current and upcoming touring productions!

Bad Victims, written and performed, by award-wining Joanna Pickering, and directed by Erica Gould returns to stage, with its original cast, at The Courtyard Theatre, London by popular demand, adding two special dates on March 14th and 15th.

Casting has been announced for Bad Victims, a new play from award-nominated playwright Joanna Pickering at The Courtyard Theatre, directed by Erica Gould. 

The Huntington has announced the reopening of The Huntington Theatre, its historic home on Huntington Avenue, following its transformational renovation to restore, renovate, and modernize the almost 100-year-old landmark.

After celebrating its 25th Anniversary in residence at Theater Wit—a season that featured the world premiere, acclaimed hit Relentless, which went on to an extended run at Goodman Theatre—the company will return to its longtime home in Chicago’s Lakeview East neighborhood, located at 615 W. Wellington Avenue, for three productions.

In my opinion, the show was in a constant state of confusion. John Barry's score was extremely 70's jazz-funk inspired. The songs were all akin to pop songs, except for a small few. Lerner's lyrics were quite good, but with a lackluster score they became bland. The script was the biggest problem.

stream.theatre is adding even more shows to their platform through March and April including 4 exclusive digital premieres of major new productions. For drama fans, Shane Richie stars a new revival of Scaramouche Jones by Justin Butcher, which premieres on 26 March.

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

BWW Reviewer Peter Nason chooses the best TV episodes from the 1950's to 2020; see if your favorites made the list!

The Beatles! Rihanna! Michael Jackson! Johnny Cash! Kanye West! The Rolling Stones! Aretha Franklin! Bob Dylan! Miles Davis! Nirvana! BWW Reviewer Peter Nason chooses the greatest albums from the rock and rap era (1950-2020); see if your favorites made the grade!

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

Roberto Villanueva founded BalaSole Dance Company nine years ago to combat the discrimination against 'atypical bodies' that one encounters in dance. Take Villanueva himself: a dazzling soloist with sparkling technique and facility that puts him in Sylvie Guillem's league, at 5 foot 2 inches, his atypical height all but barred him from working with major companies. His response to that exclusion was to create BalaSole, a showcase for talented, atypical dancers.

This August, Feinstein's/54 Below, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. Scroll down for details!

Today we are shining a spotlight on one of the most respected and revered stage and screen stars of the last several decades who is known the world over for not only his stirring and commanding dramatic performances and touching and rib-tickling comedies on film, but also for his iconic roles on the stage playing Shakespeare, performing in straight drama and also musicals - and, perhaps, beloved most of all for his essaying of Captain Von Trapp in the celebrated Robert Wise film adaptation of Rodgers & Hammerstein's Tony Award-winning THE SOUND OF MUSIC - the elegant, graceful and eminently gifted Christopher Plummer.

The Film Society of Lincoln Center presents a 15-film centenary celebration of THE FILMS OF KEISUKE KINOSHITA, tonight, November 7-15.

The Film Society of Lincoln Center announced today a 15-film centenary celebration of THE FILMS OF KEISUKE KINOSHITA, November 7-15.

Today we are shining a light on one of the most respected and revered stage and screen stars of the last several decades who is known the world over for not only his stirring and commanding dramatic performances and touching and rib-tickling comedies on film, but also for his iconic roles on the stage playing Shakespeare, and, perhaps most of all, for his essaying of Captain Von Trapp in the celebrated Robert Wise film adaptation of Rodgers & Hammerstein's Tony Award-winning THE SOUND OF MUSIC - the elegant, graceful and eminently gifted Christopher Plummer. Looking back at a career spanning nearly seven decades, today we will focus on Plummer's most important and most fondly remembered roles to date - ranging from Sidney Lumet's STAGE STRUCK in 1958 to his Shakespeare stage work, THE SOUND OF MUSIC, THE RETURN OF THE PINK PANTHER, TV's THE THORN BIRDS, and, of course, his Academy Award-winning turn in last year's BEGINNERS - with a look ahead to the exceptionally enticing new Fathom in-cinema presentation of Des McAnuff's Stratford Shakespeare Festival production of THE TEMPEST starring Plummer as Prospero, in movie theaters nationwide on June 14 - what the 83-year-old actor has promised will be his final Shakespeare performance onstage. So, if there were ever a time to take a look back at one of the most remarkable Broadway/Hollywood crossover stars of the last century or the current one as he reaches yet another peek in a career populated with many highs, now is certainly the time! After all, as the oldest Oscar-winner to date, a midsummer night's dream has evidently quite quickly turned to a winter's tale - but with sound and fury signifying much, as we will see.

Mark Murphy, executive director of REDCAT (the Roy and Edna Disney/CalArts Theater), today announced programming for REDCAT's 2009 Fall Season. REDCAT's seventh season introduces Los Angeles to some of the most dynamic and influential developments in performing, visual and media arts from around the world.

Mark Murphy, executive director of REDCAT (the Roy and Edna Disney/CalArts Theater), today announced programming for REDCAT's 2009 Fall Season. REDCAT's seventh season introduces Los Angeles to some of the most dynamic and influential developments in performing, visual and media arts from around the world.