Dawn O’Keefe is an evangelical Christian teen with a powerful secret not even she understands – when men violate her, her body bites back. Literally. From Pulitzer Prize and Tony-winner Michael R. Jackson (A Strange Loop) and Anna K. Jacobs (POP!), Teeth, based on the cult classic film of the same name, is a fierce, rapturous, and savagely entertaining new musical crackling with irrepressible desire and ancient rage – a dark comedy conjuring the legend of one girl whose sexual curse is also her salvation.
Pasquale recovers most successfully when he ditches Pastor to play an overly friendly gynecologist whom Dawn (Alyse Alan Louis), the show’s Vagina Dentata, visits after she has accidentally castrated her boyfriend (Jason Gotay). The scene is lifted from Lichtenstein’s script but enhanced immeasurably by replicating the “Dentist!” number from “Little Shop of Horrors.” Jackson’s lyrics are delightfully sadistic and Jacobs’ music channels what sounds like Greek soft shoe. Also wonderful is their creation of a character not in the movie. Dawn now has a gay best friend, Ryan (Jared Loftin), who makes the tragic mistake of switching teams. Jacobs and Jackson give their very best one-liners to the emotionally and sexually conflicted Ryan, and Loftin knows just what to do with them.
Despite tonal inconsistencies, the tilt to full horror at the climax of Teeth brings the musical home with fangs and flair. Alan Louis’s embrace of a supernatural villainess persona is aided by Jane Cox and Stacey Derosier’s lighting, which relies heavily on strobes but also evokes female-empowerment horror lore like Suspiria. Steven Pasquale’s performances as a power-hungry pastor and a creepy gynecologist is laudatory, his vocals and comedic timing crisp. Alan Louis’s voice can’t always handle Jacobs’s and Michael R. Jackson’s (A Strange Loop) music, but she still becomes a heroine worth cheering.
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