Theatro Sao Pedro announces its 2022 season. The lyrical series will include eleven titles: La Serva Padrona; Livietta and Tracollo; The Capulets and the Montechios, by Bellini; West Side Story; Lecture on Waterbirds; Threepenny Opera, by Weill; Ariadne in Naxos, by Strauss; Viva La Mamma, by Donizetti and El Barberillo de Lavapies, among others.
Peaky Blinders - the award-winning epic, gangster family series set in the lawless streets of Birmingham, UK and beyond, follows the evolution of leader Tommy Shelby (Cillian Murphy) from backstreet crime lord to legitimate businessman and member of parliament. It explores the notions that violence destroys lives, empires rise and fall over time, and class divisions are corrosive. Season 5, returning Friday, October 4th, finds the world thrown into turmoil by the financial crash of 1929. When Tommy Shelby MP is approached by a charismatic politician with a bold vision for Britain, he realizes that his response will impact not only the future of his family but that of the entire nation.
Through one family and one company, Italian playwright Stefano Massini tackles big topics: the development of Western capitalism, the immigrant experience, the American Dream. But this isn't just any family – it's the Lehman Brothers, the collapse of whose banking firm precipitated the 2008 financial crisis.
Artistic Director Josie Rourke said, "I'm delighted to announce two new productions at the Donmar, joining the previously announced THE PRIME OF MISS JEAN BRODIE, for my penultimate season, with all three directed by women.
'Crazy For You,' now playing at the Theatre In The Park in Shawnee Mission Park, is the theatrical equivalent of the 'Little Engine That Could.' It represents the fifth generation of musical shows based on George and Ira Gershwin's 1930 'Girl Crazy' score. Even though the original version kicked off the careers of Ethel Merman and Ginger Rogers, none of these shows remotely resembles any of its siblings.
The Jewish Museum and the Film Society of Lincoln Center announce the special events lineup for the 26th annual New York Jewish Film Festival (NYJFF), January 11-24, 2017.
The Jewish Museum and the Film Society of Lincoln Center announce the special events lineup for the 26th annual New York Jewish Film Festival (NYJFF), January 11-24, 2017.
Music Director Alan Gilbert will lead the New York Philharmonic in the World Premiere of HK Gruber's Piano Concerto - a Philharmonic co-commission with the Berlin Philharmonic, Royal Concertgebouw, and Royal Stockholm Philharmonic orchestras - with pianist Emanuel Ax as soloist; Weill's Little Threepenny Music for Wind Orchestra; and Schubert's Symphony No. 2. The performances will take place Today, January 5, 2017, at 7:30 p.m.; Friday, January 6 at 8:00 p.m.; and Saturday, January 7 at 8:00 p.m.
The Jewish Museum and the Film Society of Lincoln Center announce the special events lineup for the 26th annual New York Jewish Film Festival (NYJFF), January 11-24, 2017.
The Jewish Museum and the Film Society of Lincoln Center announce the special events lineup for the 26th annual New York Jewish Film Festival (NYJFF), January 11-24, 2017. Among the oldest and most influential Jewish film festivals worldwide, unique in New York City, and one of the longest running partnerships of two major New York cultural institutions, the NYJFF each year presents the finest narrative and documentary films from around the world that explore the diverse Jewish experience.
Music Director Alan Gilbert will lead the New York Philharmonic in the World Premiere of HK Gruber's Piano Concerto - a Philharmonic co-commission with the Berlin Philharmonic, Royal Concertgebouw, and Royal Stockholm Philharmonic orchestras - with pianist Emanuel Ax as soloist; Weill's Little Threepenny Music for Wind Orchestra; and Schubert's Symphony No. 2. The performances will take place Thursday, January 5, 2017, at 7:30 p.m.; Friday, January 6 at 8:00 p.m.; and Saturday, January 7 at 8:00 p.m.
The first Central London production in eighty years of Rodney Ackland's After October opens at the Finborough Theatre for a limited four and a half week season on Tuesday, 22 November 2016.
Actors Co-op (Ovation Award-Winner 2014 Best Intimate Theatre Musical for 110 in the Shade) presents the fourth and final show in its 2015-2016 season (and 24th year of producing theatrical excellence in Los Angeles!) with DANCING AT LUGHNASA, by Brian Friel, choreography by Julie Hall and directed by Heather Chesley.
Actors Co-op (Ovation Award-Winner 2014 Best Intimate Theatre Musical for 110 in the Shade) presents the fourth and final show in its 2015-2016 season (and 24th year of producing theatrical excellence in Los Angeles!) with DANCING AT LUGHNASA, by Brian Friel, choreography by Julie Hall and directed by Heather Chesley.
As part of the current three-play Royal Court at the Duke of York's Season with Posh by Laura Wade, Jumpy by April De Angelis and Constellations by Nick Payne, four of the UK's leading playwrights will direct one of their all-time favourite plays in a series of one-off afternoon readings from 29 June at the Duke of York's Theatre in a special event supported by The Ambassador Theatre Group.
Nick Payne, Polly Stenham, Roy Williams and David Eldridge will select their favourite plays and will have less than two days to bring their vision to life with a full cast to be announced for staged readings on Friday afternoons this summer.
Award-winning actress Maureen McVerry will direct the second musical of 42nd Street Moon's l9th season: George and Ira Gershwin's OH, KAY! (1926).
MoMA Presents: More Cruel and Unusual Comedy: Social Commentary in the American Slapstick Film Part 2 October 6-14, 2010
MoMA Presents: More Cruel and Unusual Comedy: Social Commentary in the American Slapstick Film Part 2 October 6-14, 2010
MoMA Presents: More Cruel and Unusual Comedy: Social Commentary in the American Slapstick Film Part 2 October 6-14, 2010
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Producer Jeffrey Finn announced today that Academy Award-winning film and stage star Hayley Mills will join legendary star Richard Chamberlain to headline the upcoming National Tour of the beloved play ON GOLDEN POND. The 30-week tour of the two-time 2005 Tony Award-nominated production will launch September 5, 2006 in Fort Worth, Texas at Bass Performance Hall. A complete list of touring cities and venues will be announced in the coming weeks.
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