One of the nation's most adventurous opera companies, Odyssey Opera, continues its Tudor-inspired season with the fully-staged production of Elisabetta, Regina d'Inghilterra (1815) by Gioachino Rossini (1792-1868). With a libretto by Giovanni Schmidtfrom the play The Page of Leicester by Carlo Federici,this two-act Italian opera contrasts the public and private spheres of Queen Elizabeth I. This seldom-heard work by one of opera's most beloved composers is the first of the nine Rossini Neapolitan operas. Gil Rose conducts with the soprano Serena Farnocchia as Elizabeth making her Boston debut.
Leading the vanguard of Boston's classical music scene, the Boston Modern Orchestra Project (BMOP) and Odyssey Opera present the world premiere of The Chronicle of Nine: The Tragedy of Lady Jane by the late American composer Arnold Rosner (1945-2013). A semi-staged, English-language production led by conductor Gil Rose,The Chronicle of Nine unites Odyssey Opera (one of the nation's most innovative opera companies), BMOP(the nation's premier orchestra dedicated exclusively to commissioning, performing, and recording new orchestral music), and internationally renowned singers including soprano Megan Pachecano playing the lead role of Lady Jane Grey. This marks the third of six productions of Odyssey Opera'sseason-long exploration of operatic works inspired by the great English dynasty of the 16th century:the Tudors.
Leading the vanguard of Boston's classical music scene, the Boston Modern Orchestra Project (BMOP) and Odyssey Opera present the world premiere of The Chronicle of Nine: The Tragedy of Lady Janeby the late American composer Arnold Rosner (1945-2013). A semi-staged, English-language production led by conductor Gil Rose,The Chronicle of Nineunites Odyssey Opera (one of the nation's most innovative opera companies), BMOP(the nation's premier orchestra dedicated exclusively to commissioning, performing, and recording new orchestral music), andinternationally renowned singers including soprano Megan Pachecanoplaying the lead role of Lady Jane Grey. This marks the third of six productions of Odyssey Opera'sseason-long exploration of operatic works inspired by the great English dynasty of the 16th century:the Tudors.
One of the nation's most adventurous opera companies, Odyssey Opera, continues its Tudor-inspired season with the fully-staged production of Maria, Regina d'Inghilterra (1843) by Giovanni Pacini. Mary Tudor, Queen of England is an Italian opera in three acts, from a libretto by Leopoldo Tarantini, which is based on the play Marie Tudor by Victor Hugo. This largely overlooked yet remarkable work is an interesting example of mid-19th century opera. Gil Rose conducts the Bel Canto masterwork with Amy Shoremount-Obra as Queen Mary and rising star Alisa Jordheim as Clotilde Talbot.
One of the nation's most adventurous opera companies, Odyssey Opera, continues its Tudor-inspired season with the fully-staged production of Maria, Regina d'Inghilterra (1843) by Giovanni Pacini. Mary Tudor, Queen of England is an Italian opera in three acts, from a libretto by Leopoldo Tarantini, which is based on the play Marie Tudor by Victor Hugo. This largely overlooked yet remarkable work is an interesting example of mid-19th century opera. Gil Rose conducts the Bel Canto masterwork with Amy Shoremount-Obra as Queen Mary and rising star Alisa Jordheim as Clotilde Talbot.
One of the nation's most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saëns based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca. This kick-starts the company's 2019-20 season featuring concert and staged operas about the great English dynasty of the 16th century: the Tudors. With libretto by Léonce Détroyat and Armand Silvestre, Henry VIII brings to life one of history's most infamous love triangles featuring baritone Michael Chioldi as King Henry, soprano Ellie Dehn as Henry's first wife, Catherine of Aragon, and mezzo-soprano Hilary Ginther as Henry's second wife, Anne Boleyn.
One of the nation's most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saëns based on El cisma en Inglaterra (The schism in England) by Pedro Calderón de la Barca.
One of the nation's most adventurous opera companies, Odyssey Opera, begins its seventh season with a concert performance of Henry VIII (1883) by French composer Camille Saint-Saens based on El cisma en Inglaterra (The schism in England) by Pedro Calderon de la Barca.
One of the nation's most adventurous opera companies, Odyssey Opera, today announced the company's 2019-20 season featuring concert and staged operas about the great English dynasty of the 16th century: the Tudors. Celebrating its seventh season, Odyssey Opera brings the drama of this famous family to life through six productions including the world premiere of Arnold Rosner's The Chronicle of Nine. (Please scroll down for complete details.)
Following the sell-out success of its workshop as part of Vibrant 2012 - A Festival of Finborough Playwrights, and as part of the Finborough Theatre's acclaimed Celebrating British Music Theatre series, the world premiere of a new musical adaptation of the classic French novel Therese Raquin opens at the multi-award-winning Finborough Theatre for a four week run, opening tonight, 25 March 2014 (Press Night: Thursday, 27 March 2014 at 7.30pm), starring Julie Atherton and Olivier Award nominee Tara Hugo.
Following the sell-out success of its workshop as part of Vibrant 2012 - A Festival of Finborough Playwrights, and as part of the Finborough Theatre's acclaimed Celebrating British Music Theatre series, the world premiere of a new musical adaptation of the classic French novel Therese Raquin opens at the multi-award-winning Finborough Theatre for a four week run, opening Tuesday, 25 March 2014 (Press Night: Thursday, 27 March 2014 at 7.30pm), starring Julie Atherton and Olivier Award nominee Tara Hugo.
The Summer Season at the Finborough Theatre continues with rediscoveries of EVENTS WHILE GUARDING THE BOFORS GUN and MERRIE ENGLAND. Commemorating the tenth anniversary of the death of playwright John McGrath, and unseen in a professional production in London since 1966, John McGrath's Events While Guarding The Bofors Gun opens at the multi-award-winning Finborough Theatre for a limited four-week season from Tuesday, 22 May 2012 directed by Robert Hastie. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening tonight, 27 May 2012.
The Summer Season at the Finborough Theatre continues with rediscoveries of EVENTS WHILE GUARDING THE BOFORS GUN and MERRIE ENGLAND. Commemorating the tenth anniversary of the death of playwright John McGrath, and unseen in a professional production in London since 1966, John McGrath's Events While Guarding The Bofors Gun opens at the multi-award-winning Finborough Theatre for a limited four-week season from tonight, 22 May 2012 directed by Robert Hastie. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012.
The Summer Season at the Finborough Theatre continues with rediscoveries of EVENTS WHILE GUARDING THE BOFORS GUN and MERRIE ENGLAND. Commemorating the tenth anniversary of the death of playwright John McGrath, and unseen in a professional production in London since 1966, John McGrath's Events While Guarding The Bofors Gun opens at the multi-award-winning Finborough Theatre for a limited four-week season from Tuesday, 22 May 2012 directed by Robert Hastie. Merrie England plays at the Finborough Theatre for a limited run of nine Sunday and Monday evening performances and Tuesday matinees, opening on Sunday, 27 May 2012.
1902 | West End |
Original London Production West End |
1902 | West End |
Return Engagement [West End (i)] West End |
1902 | West End |
Return Engagement [West End (ii)] West End |
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