Make Yourself at Home 1945

Bombay Sapphire has partnered with world-renowned film director and creative visionary Baz Luhrmann to launch its new campaign 'Saw This, Made This'. With creativity being cited as the second-most in-demand skill in the world, and with people involved in creative pursuits proven to be more positive, Luhrmann has issued a creative call to arms, inviting people to discover the creative inspiration that exists all around them.

Patrons and friends from the Playhouse on Park community tuned in for Playhouse's Season 14 Big Reveal in-person and via livestream; the season was announced by Executive Director Tracy Flater and Co-Artistic Directors Sean Harris and Darlene Zoller.

The Invigorated Ingenue brought Joan Darragh back to the cabaret stage and community, where she belongs. Isolation has brought her talents as motivator and baker to the social media. Here, the Ingenue talks with Stephen Mosher about life before and after her return to the stage.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

For the past several seasons, Stratford's Festival Theatre stage has been home to classic musical theatre productions with catchy tunes that audiences might find themselves humming long after the company had taken its final bow. This season, the musical living on that stage is a little different. It is not a classic from the golden age of broadway, the music, while moving, is likely not that familiar ear worm that you will wake up singing, and the story is as gritty and high stakes as many of the Shakespearean productions we have seen on that stage in recent years. BILLY ELLIOT officially opened to a raucous standing ovation on Tuesday evening, making it clear that Stratford audiences are more than happy to branch out to something a little different.

AN INSPECTOR CALLS has been described in the Washington Post as, 'an episode of 'The Twilight Zone' wrapped in an Agatha Christie mystery,' and after seeing the show at the Wallis Annenberg Center for the Performing Arts in Beverly Hills, I must say that about sums up the play for me. Running at almost two hours without an intermission, at first it seemed to be just a bunch of talking heads yelling loudly with strong British accents – that is until the end when a Rod Serling-like phone call delivers a twist that sets the whole thing into the realm of “what just really happened?”

The American Society of Composers, Authors and Publishers (ASCAP), a professional membership organization of songwriters, composers and music publishers, announces the top ASCAP holiday songs of 2018. According to an ASCAP analysis of streaming and terrestrial radio data, the hit classic “All I Want for Christmas Is You,” written by ASCAP songwriter Walter Afanasieff and pop star Mariah Carey, holds the #1 song position for the second year in a row.

The upcoming 28th annual The Donald M. Ephraim Palm Beach Jewish Film Festival will present movies from around the world, opening with BODY AND SOUL: An American Bridge, focusing on the early performance history and cross-cultural impact of the jazz standard by Jewish composer Johnny Green.

GOOD MORNING, THEATERATI! It's Wednesday, June 7, 2017! Kathie Lee and Hoda are in town today to show their Today show audience what's happening in Nashville, which prompts the musical question: What's sights are on your list of places to go when newbies turn to you for advice? Let us know and we'll feature you in an upcoming story!

Actor Etai Benson sings and dances his way to The Hobby Center this month in Theatre Under the Stars' production of AN AMERICAN IN PARIS. Today, Benson joins us to talk life on the road, dole out some advice, and explain what it's like playing an American in Paris -- spoiler -- 'S Wonderful'!

The Dallas Opera is proud to announce its ambitious 2017-2018 Season, "Motives Unmasked!" consisting of five entertaining and varied mainstage productions, including a dazzling U.S. premiere and a new Dallas Opera production of a very early opera by Viennese wunderkind Erich Wolfgang Korngold.

Laura Osnes' journey to Broadway was anything but ordinary. Having competed on the reality series GREASE: YOU'RE THE ONE THAT I WANT, she went on to win and make her Great White Way debut as a brunette Sandy in 2007. She proceeded to make craterous impressions on Broadway, replacing Kelli O'Hara in Lincoln Center's SOUTH PACIFIC, as well as originating the role of Bonnie in BONNIE & CLYDE, earning the first of her Tony nominations, followed by the titular Cinderella in Broadway's first production of the Rodgers and Hammerstein classic, for which she earned her second. Osnes will return to Feinstein's/54 Below on November 27, kicking off a string of four shows in which she travels down the roads that might have been, performing songs from roles she nearly booked but, for one reason or another, never came to be. BroadwayWorld chatted with the sweet-as-pie multi-talent about why her forthcoming Broadway gig, THE BANDSTAND, is a vital piece of theater, her co-star Corey Cott, and the inspiration for her unusual cabaret premise (here's a spoiler: Osnes keeps a literal binder in her closet labeled 'Songs I Learned for Auditions').

Turkeys are on-sale at your local supermarket, so there's no better way to know Thanksgiving is just around the corner - yep, less than two weeks away! - which means that local theater companies will be unleashing their holiday season productions with enough productions of A Christmas Story (both the musical and the play), It's A Wonderful Life and Ebenezer Scrooge-led shows that you could shake a stick at!

Hitting perhaps too close to home for some and harkening back to memories best left unrecalled, while challenging audiences to examine their own lives, Arthur Miller's Death of a Salesman remains an emotional, visceral theatrical masterpiece. Now, through March 28, it is vividly recaptured, like so much lightening in a bottle, in a deeply affecting production from Nashville Rep, directed with finesse by Rene D. Copeland and acted by an all-star cast of Nashville performers who together create a stunningly specific place in time that somehow is timeless and universal.

Over 160 opera companies, schools and organizations across North America will celebrate the sixth annual NATIONAL OPERA WEEK from today, October 24 through Sunday, November 2, 2014, with opera activities and announcements in their communities. National Opera Week is coordinated by OPERA America, the national service organization for opera.

It's shocking to me, fellow lads and lasses, that we've already reached Episode 8. Seems like only yesterday we were tumbling through the stones of Craigh na Dun like a wee little Sassenach. I approach this mid-season finale with mixed emotions. Of course I'm excited to see what happens next to the Highlands' newest 'it' couple, but with a recently announced air date of April 4, 2015, the midseason premiere just seems so far away. Too far away, I tell you! And I know tonight's episode will end with a cliffhanger, because showrunners just love messing with fans that way, don't they? They seem to get some sick joy out of it, and I both love and hate them for it. Such is the burden of the TV junkie.

The holidays are upon us with plenty to celebrate at the Kimmel Center's campus of events and performances.

The holidays are upon us with plenty to celebrate at the Kimmel Center's campus of events and performances.

Today we are talking to a spectacularly talented composer/lyricist noted for his incredibly impressive and accomplished oeuvre thus far, having collectively composed more than twenty full-length musicals, operas and specialty performance pieces - Michael John LaChiusa. Discussing his vast array of projects from BUZZSAW BERKELEY to FIRST LADY SUITE, HELLO AGAIN and THE PETRIFIED PRINCE Off-Broadway through to his double-header in the 1999-2000 millennial season with MARIE CHRISTINE and THE WILD PARTY both on Broadway to his Off-Broadway, regional and international successes since, ranging from LITTLE FISH to another two-show-season in 2006 with BERNARDA ALBA and SEE WHAT I WANNA SEE as well as THE HIGHEST YELLOW and the recent Americana-themed epic musical pseudo-trilogy of LOS otros, QUEEN OF THE MIST and GIANT. Additionally, LaChiusa touches upon some of his lesser-known work, such as his musical revue HOTEL C'EST L'AMOUR, various operatic pieces, additional material he provided for pieces such as THE SEVEN DEADLY SINS and his previous and upcoming solo musicals for continuing collaborator Audra McDonald, such as SEND (who are you? i love you) and MARLENE DIETRICH'S ABCs OF LOVE. Most importantly, LaChiusa takes us behind the scenes of the sparkling new deluxe cast album for GIANT, starring Brian D'Arcy James, and discusses the themes, ideas and adaptation of the Edna Ferber novel itself in a fascinating and revealing analysis of the vast, enveloping and vivid score he has composed for GIANT. Also, LaChiusa offers the 411 on this year's Tony Awards specialty song composed for host Neil Patrick Harris and some starry cohorts (Megan Hilty, Laura Benanti and Andrew Rannells), as well as previous Tony show one-offs penned for Hugh Jackman and others. Plus, LaChiusa clues us in on his upcoming projects - including FIRST DAUGHTER SUITE - and much, much more in this career-spanning conversations with one of modern musical theatre's most daring and prolific artists.

To mark the one year anniversary of the passing of famed Broadway librettist,screenwriter and director Arthur Laurents, BroadwayWorld spoke with his close friend and the literary executor of his estate, David Saint.

It might not be great art, but Xanadu-the new musical onstage through March 3 at Franklin's Boiler Room Theatre-sure is great fun! Pure, unadulterated escapism, Xanadu is laugh-out-loud funny, thanks primarily to the book by Douglas Carter Beane, but you have to give props to director Corbin Green and his talented cast who bring the completely ridiculous musical (featuring the music of Electric Light Orchestra's Jeff Lynne and John Farrar) to life onstage.

Kravis Center to Offer a Nonstop Series of Dazzling Performers & Productions During April, May & June 2011 Highlights Include the Beach Boys, Bill Maher, Frankie Avalon, Fabian & Bobby Rydell, Smokey Robinson, St. Petersburg Philharmonic, Yanni, The Color Purple & 18th Annual Reach for the Stars

Kravis Center to Offer a Nonstop Series of Dazzling Performers & Productions During April, May & June 2011 Highlights Include the Beach Boys, Bill Maher, Frankie Avalon, Fabian & Bobby Rydell, Smokey Robinson, St. Petersburg Philharmonic, Yanni, The Color Purple & 18th Annual Reach for the Stars

Kravis Center to Offer a Nonstop Series of Dazzling Performers & Productions During April, May & June 2011 Highlights Include the Beach Boys, Bill Maher, Frankie Avalon, Fabian & Bobby Rydell, Smokey Robinson, St. Petersburg Philharmonic, Yanni, The Color Purple & 18th Annual Reach for the Stars