Here We Are, legendary composer Stephen Sondheim’s final musical, features a book by Tony Award–nominee David Ives. It is inspired by Luis Buñuel’s films The Discreet Charm of the Bourgeoisie and The Exterminating Angel. Here We Are is directed by Tony Award–winner Joe Mantello.
The cast will include Francois Battiste, Tracie Bennett, Bobby Cannavale, Micaela Diamond, Amber Gray, Jin Ha, Rachel Bay Jones, Denis O’Hare, Steven Pasquale, David Hyde Pierce, and Jeremy Shamos. The understudies for Here We Are are Bradley Dean, Adam Harrington, Bligh Voth, Adante Carter, Mehry Eslaminia, and Lindsay Nicole Chambers.
Produced by Tom Kirdahy, its executive producers are Sue Wagner, John Johnson, and Jillian Robbins. Co-presented by The Shed.
Performances begin in September 2023.
Yet, this idealistic sunbeam is eclipsed by the finale of noise, gesturing toward grander world affairs that threaten to crumble down their insular comforts. Even though few, like Marianne, may emerge slightly different than before, their epiphanies may get swallowed by the world. This is a show about a bourgeoisie bubble that — for now — can afford distractions and sweep aside the questions some other time. Here they are, re-seeking pleasures, with their grins and anticipation melting like wax from the candle. Although 'Here We Are' leaves you hungry for completion, it's a slow-crawling nightmare that plink-pla-plink in your consciousness long after you leave the theatre.
What music there is, though, doesn’t disappoint. Sondheim’s score is decidedly within his most familiar vocabulary, a final master class in pressing music into the service of character. As the recent revivals of Sweeney Todd and Merrily We Roll Along also demonstrate, one of Sondheim’s superior gifts was his impeccable understanding of how the ear processes language. Rhythm and melody, under his pen, allow the text to crash like a wave over us, somehow guiding the listener response so that everyone gets the joke at the exact same moment.
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