The Jenkins family is coming together to celebrate the life of their father—hopefully without killing each other! Eldest daughter, Baneatta, wants everything to be perfect for her father’s funeral. “Favorite” daughter, Beverly, would rather honor her daddy dressed to show the entire congregation what she’s been “blessed with.” Teenage granddaughter, La’trice, can’t mind her own business if it was on a leash. Not far behind comes grandson Kenny and his very Jewish boyfriend Logan who is maybe, sort of, okay definitely afraid of Baneatta. But Baneatta’s hopes unravel when a family secret shows up at the funeral…
The cast is dynamic together, making it nearly impossible to single out any one of them. Mizzelle, however, does an extraordinary job at playing the going-on-16-year-old La'Trice Franklin, a character that could easily be portrayed as a Black female caricature. She's loud, she's bold and she says whatever is on her mind; Mizzelle's performance gives nuance to the young Black woman screaming to be seen, included and understood. Urie, who plays Kenny Mabry's white Jewish boyfriend, also does a phenomenal job of conveying how out of place his character feels. At no point does his performance feel forced.
We all know-don't we?-the phrase Goin' to Church, which means letting religious fervor flow no matter what the context. Dramatist Lyons has written a play about literally goin' to church. He's gotten the church bells reverberantly chiming. If theater lovers are smart, they'll heed the call and go straight to Chicken & Biscuits church.
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