Review: NEW YORK CITY BALLET: MIXED BILL, Sadler's Wells
New York City Ballet are at Sadler’s Wells for the very first time, and returning to London for the first time since 2008 in a rare event for dance fans in the capital. Now under the direction of Jonathan Stafford, they arrive with a diverse quadruple bill, presumably designed to offer something for everyone. NYCB boasts some of the finest dancers in the world, they are precise technicians who have honed their craft and have a unique identity but the overall effect lacks the punch audiences will be craving after such a long absence.
Dance Theatre of Harlem Appoints Fatima Jones as Chief Marketing and Communications Officer
The internationally acclaimed Dance Theatre of Harlem has announced the addition of Fatima Jones. Joining the organization as Chief Marketing and Communications Officer ahead of its annual home season at New York City Center, Ms. Jones assumes her role alongside DTH's longtime guiding lights Executive Director Anna Glass and recently appointed Artistic Director Robert Garland.
Joffrey Academy's Winning Works Returns to the MCA
The Joffrey Academy of Dance, Official School of The Joffrey Ballet, will present four world premieres for the 14th annual Winning Works Choreographic Competition. Learn more about the programming here!
Review: MERE MORTALS at San Francisco Ballet
What did our critic think of MERE MORTALS at San Francisco Ballet? BroadwayWorld reviews the world premiere of 'Mere Mortals' at San Francisco Ballet, a wildly ambitious collaboration between much in-demand choreographer Aszure Barton and composer Sam Shepherd.