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The Tank Announces SAMUEL and BOTTE DI FERRO

The Tank announced today two new co-productions for their Summer 2021 season. Samuel is an audio-visual experience by Alexis Roblan and directed by Dara Malina. Botte di Ferro is a new play about love, memory, class, and how communication shapes perception.
The Tank Announces Programming for WINTRY MIX: A Celebration of the End of 2020

The Tank has announced The Tank’s Wintry Mix, a celebration of the end of 2020. The Tank’s Wintry Mix will be a month of virtual programming about the upcoming strange holiday season, highlighting new work from emerging artists that is multigenerational, and more.
The JCCSF To Welcome Debbie Harry, October 3

The JCCSF will present a one-night-only event with Debbie Harry on Thursday, October 3, 2019 at 7 p.m., as part of its Arts & Ideas 2019a?"20 season.
Bard College Appoints Renowned Opera Singer Stephanie Blythe New Director Of Graduate Vocal Arts Program

Bard College announces the appointment of celebrated opera singer and recitalist Stephanie Blythe as artistic director of the Bard College Conservatory of Music Graduate Vocal Arts Program (VAP) beginning in July 2019. One of the most highly respected and critically acclaimed artists of her generation, mezzo-soprano Blythe possesses a repertoire ranging from Handel to Wagner and from German lieder to contemporary and classic American song. Blythe has performed on many of the world's great stages, such as Carnegie Hall; the Metropolitan Opera; Covent Garden; Paris National Opera; and San Francisco, Chicago Lyric, and Seattle Operas. She was named Musical America's Vocalist of the Year, received an Opera News Award, and won the Richard Tucker Award. Blythe recently released her first crossover recording on the Innova label with pianist Craig Terry.
Directors Announced for BEAM2018 Biennial Showcase

Musical Theatre Network and Mercury Musical Developments today announce Hannah Chissick, Adam Lenson, James Dacre, Peter Rowe, Josh Seymour, Tania Azevedo, Cressida Carre and Kate Golledge as directors for the eight 25-minute extracts from new musicals to be presented at BEAM2018.
Programme Announced For BEAM2018 The Biennial Industry Showcase Of New British Musical Theatre

Musical Theatre Network and Mercury Musical Developments today announce the programme selected from their pitching days held around the UK between September and November for BEAM2018. Fifty-eight of the new British musicals pitched at these days have been selected to be shared at the biennial industry showcase which will next year be held at Theatre Royal Stratford East on 1 and 2 March. BEAM is designed for anyone in a position to help develop and stage new British musicals to attend, bringing the most exciting musical theatre projects together from around the UK for industry professionals to grab the opportunity to become involved from the early stages of development.
NYC Ballet Principals Set for Private, Immersive Dance Event CHRYSALIS in Brooklyn

On October 17th 2017, With You Films presents Chrysalis.
NYC Ballet Principals Set for Private, Immersive Dance Event CHRYSALIS in Brooklyn

On October 17th 2017, With You Films presents Chrysalis.
Here Comes Trouble: Pop singer Stephanie K Flips the Script on 'Troublemaker'

Award-winning singer-songwriter Stephanie K offers no apologies, warnings or explanations for taking control and asserting her will on Troublemaker, her five-song debut EP
Photo Flash: Alan Menken, Glenn Slater Lead Master Class for BMI Musical Theatre Workshop

Broadcast Music, Inc. (BMI) recently held their bi-annual Master Class for the renowned BMI Lehman Engel Musical Theatre Workshop. The Master Class brings in celebrated composers and lyricists from the Broadway world to give feedback and critique musical theatre pieces developed by members of the esteemed workshop. Scroll down for photos, featuring writing team Alan Menken and Glenn Slater!
BWW Interviews: 'Girl Singer' Stephanie Blythe, the Met's Bearded Lady and the Songbird of the South

Stephanie Blythe--who's at the Met these days singing Baba the Turk in Stravinsky's THE RAKE'S PROGRESS--“abhors labels.” That's why, despite a cavernous voice that has become even deeper with age and could easily be termed mezzo or contralto, she tells me to call her “a girl singer.”

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