Sara Cutler

Join the New York City Arts in Education Roundtable and advocates as they urge the Mayor and City Council to save $41M in arts education funding at risk due to COVID.

Composer Georgia Stitt has released a letter regarding her work with Maestra Music and the process of ratifying Local 802's new Fundraising Service Agreement. Read the letter here!

: The musicians of the New York City Ballet Orchestra are organizing a rally outside of the annual fall fashion gala at Lincoln Center. Find out why they're fighting for a fair contract and what it means for the future of the orchestra. Join them on Thursday, October 5th at 5pm to show your support.

The musicians of the New York City Ballet Orchestra, represented by the NYC musicians’ union (AFM Local 802), have overwhelmingly voted to authorize a strike, as they continue to negotiate with ballet management for a fair contract. A strike authorization vote means that musicians may choose to strike if contract talks break down.

Pixeliance, for flute, harp, and marimba, composed by Peri Mauer, will be performed by Patricia Spencer, flute, Sara Cutler, harp, and Jon Clancy, marimba, at Bard College in the László Z. Bitó '60 Conservatory Building on Tuesday, March 10, 2020, 8pm.

Over 150 musicians stood together at Dante Park, directly across from Lincoln Center, to demonstrate solidarity with their colleagues on strike at the Chicago Symphony Orchestra. A group of thirty brass musicians from the Metropolitan Opera, the New York Philharmonic, and the New York City Ballet performed, conducted by Joseph Alessi, Principal Trombone of the New York Philharmonic. The Local 802 AFM musicians spanned every genre from Broadway to classical to indie, and the musicians were joined by their fellow union members from Actors' Equity, American Guild of Musical Artists, IATSE Local One, IATSE Local 764, the New York City Central Labor Council, AFL-CIO, SAG-AFTRA NY, and the Stage Directors and Choreographers Society.

 Orchestra of St. Luke's joins the Saint Thomas Choir of Men and Boys for At a Solemn Musick, an October 18 program led by Daniel Hyde with soloists Benjamin Sheen, organ, Sara Cutler, harp and Hyesang Park, soprano in which two classics of the organ concerto repertoire,Poulenc's Concerto en Sol mineur and Barber's Toccata Festiva, will showcase Saint Thomas Church's new Irene D. and William R. Miller Chancel Organ in memory of John Scott.

Orchestra of St. Luke's (OSL) 43rd season continues in 2018 with 43 performances in 10 venues throughout New York City. The winter spring calendar offers wide-ranging programs from intimate chamber music concerts devoted to Baroque, Classical, and Romantic repertoire to a world premiere at Carnegie Hall by one of today's most lauded composers. Additionally, the Orchestra will play music for a legendary dance institution's Lincoln Center season and collaborate with a renowned choral group on a program that juxtaposes an established work with a new, dramatic oratorio based on the Orpheus myth.

Orchestra of St. Luke's returns to Carnegie Hall for three concerts in the fall including its annual subscription series presented by Carnegie Hall, opening on October 12 with Conductor Laureate Pablo Heras-Casado on the podium. He leads Beethoven's Symphony No. 1 in C Major, Op. 21, and Mozart's Mass in C Minor, K. 427 ('Great'), featuring the Westminster Symphonic Choir, and guest vocalists sopranos Camilla Tilling and Susanna Phillips, tenor Thomas Cooley, and bass-baritone Michael Sumuel.

'Stravinsky Re-invented: From Paris to Los Angeles,' the second and final weekend of the 24th annual Bard Music Festival in New York'sAnnandale-on-Hudson, follows Igor Stravinsky from Europe to post-war Hollywood, investigating his subsequent shift in style from neoclassicism to serialism. The weekend opens tonight, August 16, with a screening of film clips that document the great Russian innovator, with commentary by Professor Charles M. Joseph, author of Stravinsky Inside Out. This special session is followed by the weekend's first concert, 'Against Interpretation and Expression: The Aesthetics of Mechanization,' a program of postmodernist ensemble classics by Stravinsky, Bartók, Varèse, Hindemith, and Messiaen; soloists include Grammy-nominated pianist Peter Serkin and So Percussion's Eric Beach.

'Stravinsky Re-invented: From Paris to Los Angeles,' the second and final weekend of the 24th annual Bard Music Festival in New York's Annandale-on-Hudson, follows Igor Stravinsky from Europe to post-war Hollywood, investigating his subsequent shift in style from neoclassicism to serialism. The weekend opens on Friday, August 16, with a screening of film clips that document the great Russian innovator, with commentary by Professor Charles M. Joseph, author of Stravinsky Inside Out. This special session is followed by the weekend's first concert, 'Against Interpretation and Expression: The Aesthetics of Mechanization,' a program of postmodernist ensemble classics by Stravinsky, Bartók, Varèse, Hindemith, and Messiaen; soloists include Grammy-nominated pianist Peter Serkin and So Percussion's Eric Beach.

The holiday season is approaching and Brooklyn Public Library is ushering in these joyous times with a host of programs, events and activities. Enjoy events for all ages from book discussions to financial workshops.