Molly Keane-Dreyer

The room at 54 Below tonight was rocking with the beats of many genres of music blended together into an evening of joy and gratitude. The show was billed as AN EVENING WITH SERGE CLIVIO AND FRIENDS VOL. 2. There is truth in advertising. There were many friends who graced the stage with Clivio. This is the fourth time Serge has appeared at 54 Below including his previous Vol. 1 show which included some of the same friends gathered from his time at school and from the start-up company where he works. But tonight was a special night. After an especially challenging year, the singer was donating all the proceeds of tonight’s show to Memorial Sloan Kettering. And even though Clivio said he didn’t want the show to be about that (and it wasn’t,) the fact that they were speaks volumes about the heart and soul of this young and talented performer.

This week, FEINSTEIN’S/54 BELOW, Broadway’s Supper Club & Private Event Destination, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond.

This month, FEINSTEIN’S/54 BELOW, Broadway’s Supper Club & Private Event Destination, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond.

This show marks a follow-up to Clivio's successful An Evening with Serge Clivio ...(and Friends)! that premiered at Feinstein's/54 Below in 2019. Serge and Friends is centered around Clivio's upbringing through music of different genres. This specific installment will include some selections off of his debut EP, YOU, which is set to be released on October 8th.

The Regent Theatre in Arlington, MA has provided arts and entertainment to the Greater Boston area for over 100 years. Serge Clivio has been a part of that tradition for about 20 of them. We caught up with Serge, virtually, to chat about the benefit concert that is set to stream live on YouTube and Facebook on Sunday, September 13th at 8pm EST. 100% of proceeds will go to The Regent Theatre's reopening campaign.

An Evening with Serge Clivio ...(and Friends)! Vol. 2, playing Feinstein's/54 Below on May 6th, just got a little more exciting. In a recent interview with headliner, Serge Clivio, he revealed to us the stellar cast of friends who will be joining him in Broadway's legendary basement.

FEINSTEIN'S/54 BELOW, Broadway's Supper Club, will present Serge Clivio in An Evening with Serge Clivio ...(and Friends)! Vol. 2 on Wednesday, May 6th at 9:30pm. Back for his 4th engagement at Feinstein's/54 Below, Serge returns due to popular demand.

Alia Hodge joins Serge Clivio for Still Rolling Stones, his 3rd solo concert engagement at Feinstein's/54 Below, on Monday, November 18th at 9:30pm. Fresh off of the First National Tour of Beautiful: The Carole King Musical, Alia Hodge joins Serge for this one-night-only concert. Throughout 2018 and 2019, Alia was seen as a swing in Beautiful; she performed over 100 times across several different roles in the show. Along with Beautiful, Alia brings along a slew of other reputable credits, that include RENT 20th Anniversary Tour ('Seasons of Love' soloist) and Little Shop of Horrors at Berkshire Theatre Festival. Clivio will be performing fresh off the success of his newly released single, 'Kiss Me One More Time' (feat. Allie Seibold). The single has already garnered over 1,000 streams on Spotify.

FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents Serge Clivio in Still Rolling Stones on Wednesday, October 30th at 9:30pm.

Back by popular demand, singer, recording artist and award-nominated actor, Serge Clivio, returns to The Regent Theatre today, February 23rd at 7:30pm with a brand new one-night-only concert.

Back by popular demand, singer, recording artist and award-nominated actor, Serge Clivio, returns to The Regent Theatre on Saturday, February 23rd at 7:30pm with a brand new one-night-only concert.

Next week, FEINSTEIN'S/54 BELOW, Broadway's Supper Club & Private Event Destination, presents some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more information, visit www.54Below.com/Feinsteins or call (646) 476-3551.

FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents Serge Clivio in An Evening with Serge Clivio… (and Friends)! on Tuesday, January 29th at 9:30pm. Back by popular demand and fresh off the success of his first headlining concert, Sticks & Stones, actor, singer and recording artist, Serge Clivio, returns to Feinstein's/54 Below's stage with a brand new show! Find out how Serge grew up to love so many different genres of music and how they all have shaped him into the performer and vocalist that he is today. With the help of some very special guests, this intimate and inspirational evening will leave audiences dreaming big and wanting more!

FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents Serge Clivio in Sticks & Stones (Unplugged) on Tuesday, November 13th at 9:30pm. Fresh off the heels of sold out shows in Boston and the legendary Cutting Room in New York, Serge and his incredibly talented band bring this concert event to the heart of Manhattan (and this time, it's all acoustic)! With new stripped-down arrangements, Sticks & Stones takes audiences on a journey of young love, heartbreak and the reality of adulthood through intimate stories and personal songs.  Featuring pop/rock hits, theater classics and original songs, audiences are sure to leave feeling inspired, dreaming big and wanting more!

Fresh off the heels of a sold-out concert in Boston, Serge Clivio and his fantastic band bring Sticks & Stones to New York City's legendary space in midtown, The Cutting Room on Sunday, June10th at 8pm.

Get ready to rejoice! SISTER ACT, the gloriously funny five-time Tony-nominated musical, is taking the stage at Bill Hanney's award winning Theatre By The Sea (TBTS). SISTER ACT will begin Wednesday, August 17, and plays thru Sunday, September 4, 2016. Press night is scheduled for Friday, August 19 at 8p.m.

Reagle Music Theatre of Greater Boston will bring the bright lights of 1920's New York City to the stage with the Tony Award-winning musical comedy THOROUGHLY MODERN MILLIE from tonight, July 7, through July 17, 2016. Millie will run for eight performances at the Robinson Theatre (617 Lexington St. Waltham, MA, 02452). BroadwayWorld has a first look at the cast in action below!

Maine State Music Theatre continues its impressive 2016 lineup of shows with two performances on June 20, 2016, of A Grand Night for Singing, a musical revue conceived by Walter Bobbie to showcase the glorious songs of Richard Rodgers and Oscar Hammerstein II. Directed and choreographed by Curt Dale Clark with tap choreography by Raymond Marc Dumont, the revue features a sixteen-member cast of young professionals drawn from the intern company and local Maine performers, who turn in a performance that offers not only grand singing and dancing, but also speaks to the huge reservoirs of talent that MSMT is proud to possess. The original 1993 twenty-seven song revue skillfully weaves together a wide range of Rodgers and Hammerstein's works in arrangements by Fred Wells (and lovely orchestrations by Michael Gibson and Jonathan Tunick) from both their smash hits like Oklahoma, Carousel, South Pacific, The Sound of Music, The King and I, and Cinderella, as well as gems from lesser-known shows like Allegro, State Fair, Flower Drum Song, and Pipe Dream. Patrick Fanning serves as MSMT's Music Director, conducting the wealth of melodic material with elan, delicious detail, and nuance and eliciting from the young cast lyrical and idiomatic renditions of beloved sings such as 'We Kiss in a Shadow,' 'Maria,' 'If I Loved You,' and 'This Nearly Was Mine' or upbeat numbers like 'Honey Bun' and 'Oh, What a Beautiful Morning!' The dynamically staged and imaginatively choreographed production by MSMT's Artistic Director Curt Dale Clark - with a dazzling, intricate tap number created by Raymond Marc Dumont for 'Kansas City' - is brimming with class, warmth, and humor. Clark inspires the cast to bring to their music and vignettes an infectious and embracing energy, an eloquence of emotion spiced with mischievous moments. His pacing is brisk, and he effectively builds a lively sense of character and communication among the cast members, who share their enthusiasm with the public, even interacting on several occasions with the audience in the house. By retooling the contexts of many of the songs, he is able to add a contemporary and universal touch to their appeal. Most of all, he helps these young artists find and share the timeless heart in this treasure trove of American musical theatre. Using the bare bones of the Ghost set makes for a minimal but attractive decor. The characterful casual and subsequently elegantly formal costumes by Travis S. Grant are carefully chosen for their complementary pastel hues; the kinetic lighting by Heather Reynolds and a well-balanced sound design by Nate Dickson contribute to making this revue offers a feast for eyes and ears. Working seamlessly as an ensemble, the youthful cast gives their all both in the big production numbers and in focused solos, amply illustrating the meaning of the musical theatre term 'triple threat.' They sing beautifully; they dance with technical aplomb, and they act with irresistible charm. Moreover, each and every one of them knows how to interpret a song - to make it more than a lyrical moment. Each has several occasions to shine, and Clark and Dumont have skillfully mined their individual strengths. Among the many highlights are a perky rendition of 'Surrey with the Fringe on Top' (Eric Berry-Sandelin, Katie Whittemore, Cameron Wright, Rachel Grindle, Hugh Cipparone, Berkley Jones), inspired vocal interpretations of 'If I Loved You (Jennifer Kennedy), 'It Might As Well Be Spring' (Berkely Jones)'This Nearly Was Mine,'(Matthew LaBerge), a smoldering account of 'Maria' (Alex Drost), a romantic 'We Kiss in a Shadow' (Giovanni DiGabrieli), a winsome 'All At Once' (Marty Lauter, Cipparone), and a single verse in 'Love Look Away' to bring tears to the eyes (Lauter), a feisty 'Stepsisters' Lament,' (Ali Sarnacchiaro, Haley Ostir, Megan Flynn), a spirited 'I Can't Say No' (Molly Keane-Dreyer, Kennedy), and a witty 'The Gentleman Is A Dope' (Alex Drost, Kyle Laing, Ostir, DiGabrieli, Lauter). The numerous ensemble numbers are enhanced by the strong camaraderie and chemistry among the players, making for some memorable comic and romantic moments such as the women's septet in sunny 'Wash That Man' and the men's octet in a plaintive 'Love Look Away.' The choreography is expressive, lyrical, and catchy by turns - ranging from ballet and modern to jazz and tap - with such numbers as the sweeping polka of 'Shall We Dance?' or the dueling tap in 'Kansas City' garnering special attention. Special mention to Berkely Jones, Marty Lauter, and Kyle Laing for their dance solos and impressive technique. To spend an evening with these magnificent Rodgers and Hammerstein classics makes it impossible not to take away a renewed appreciation for their geniuses and a love of their legacy. But A Grand Night for Singing does something else as well. It proves to be one more piece of evidence that MSMT is truly, as its catchphrase promises, 'Bringing Broadway to Brunswick.' Photos courtesy of MSMT, Roger S.Duncan, potographer Evita which begins on June 29 - July 16 at the Pickard Theater, 1 Bath Rd., Brunswick, ME, on Monday, June 20 at 2:00 p.m. and 7:30 p.m. For tickets call box office at 207-725-8769 or visit online at www.msmt.org

Robin and Clark's musical theatre version of Jack and the Beanstalk, which plays three performances this week at MSMT's Pickard Theater, is a colorful, clever, catchy retelling of a familiar story designed to enchant the entire family. Directed/choreographed by Curt Dale Clark, cast with an ensemble of energetic young actors, and staged in a striking visual production, this delightful fairytale creates magic for all.

Maine State Music Theatre presents Rodgers & Hammerstein's A GRAND NIGHT FOR SINGING appearing on the Pickard stage for one day only: Monday, June 20, 2016 at 2 PM and 7:30 PM. Taste and imagination, the two key ingredients for a first-rate revue, abound in this fresh take on the Rodgers & Hammerstein canon. This revue, with innovative musical arrangements including a sultry Andrews Sisters-esque 'I'm Gonna Wash That Man Right Out-a My Hair,' a swingin' 'Honeybun' worthy of the Modernaires, and a jazzy 'Kansas City', leaves no question about how terrifically up to date the remarkable songs of R&H remain.