Mary Dale

No Peeking Theatre takes its first swing at social change through a refreshing original comedy!

No Peeking Theatre takes its first swing at social change through a refreshing original comedy!

Red Scare on Sunset is a high-camp and all-to-relevant play by Charles Busch, currently playing at the New Conservatory Theatre Center in San Francisco.

No Peeking Theatre takes its first swing at social change through a refreshing original comedy!

In September, New Conservatory Theatre Center will kick off its 2018-2019 Season with the San Francisco premiere of the delectable, campy satire, Red Scare on Sunset. Directed by Allen Sawyer and starring San Francisco drag cabaret sensation, J. Conrad Frank, Red Scare on Sunset is full of "outrageous plot twists, chicanery and a finale that careens over the top" (LA Weekly). Written by the Tony-nominated playwright of The Tale of the Allergist's Wife and Vampire Lesbians of Sodom, Charles Busch, this lavish comedy delightfully defangs the McCarthyism that took the world by storm. It's 1950's Hollywood and the Cold War is about to come knocking on silver-screen star Mary Dale's palatial front door: her husband's Method acting class is a front for the Communist party and threatens to destroy everything she holds dear. Mary must rally to defend her marriage, Hollywood and the American way in this outrageously funny and ironically timely parody.

New Conservatory Theatre Center Founder & Artistic Director Ed Decker announced the line-up for NCTC's 2018-19 subscription season last night at NCTC's annual Season Announcement Party for subscribers, donors and artists.

Red Scare on Sunset by Charles Busch, directed by CSUF graduate student Kyle Cooper, runs October 6-29, 2017 in the Hallberg Theatre on campus. Red Scare on Sunset is a funny and frighteningly pure parody of the 1950's Communist invasion of Hollywood. When film star Mary Dale discovers that her own husband has been lured into the local Communist party by way of a method-acting class, she wages a private war to save her husband and conquer the Beverly Hills Commies. The McCarthy era is turned on its head in this novel take on a serious subject. Red Scare on Sunset contains fog, haze, and herbal cigarettes.

Cal State Fullerton's 2017-2018 season opens with Frankenstein based on the novel by Mary Shelley, adapted by Bruce Goodrich and directed by CSUF Professor Maria Cominis, which runs September 29-October 15, 2017 in the Young Theatre on campus. An electrifying new version of Frankenstein will keep audiences mesmerized by the sheer power of Mary Shelley's 19th century classic.

THE JAZZ SINGER opened this week, presented by the Harold Green Jewish Theatre Company as a toe-tapping new musical rendition of the story made famous by the film of the same name. While the film shocked the world with its inventive introduction of synced recorded sound, the musical, written by Michael Ross Albert and directed and choreographed by Timothy French, fails to take any risks.

The Harold Green Jewish Theatre Company and Dancap Productions present THE JAZZ SINGER, a new musical adaption of Samson Raphaelson's classic story of a son's struggle between his passion for a Broadway career, and his father's plans to have him follow in his footsteps as a cantor. The production will run May 23 - June 18, 2017 at Greenwin Theatre, Toronto Centre for the Arts.

The 'invaluable' Metropolitan Playhouse--2011 Obie Award winner--presents a revival of THE JAZZ SINGER, by Samson Raphaelson. First staged in in 1925 and revived in 1927, the play now receives the first professional production in the city, directed by Laura Livingston at Metropolitan's home: 220 E 4th Street .

The 'invaluable' Metropolitan Playhouse--2011 Obie Award winner--presents a revival of THE JAZZ SINGER, by Samson Raphaelson. First staged in in 1925 and revived in 1927, the play now receives the first professional production in the city, directed by Laura Livingston at Metropolitan's home: 220 E 4th Street .

The 'invaluable' Metropolitan Playhouse--2011 Obie Award winner--presents a revival of THE JAZZ SINGER, by Samson Raphaelson. First staged in in 1925 and revived in 1927, the play now receives the first professional production in the city, directed by Laura Livingston at Metropolitan's home: 220 E 4th Street .

Joanne Fayan flaunts her comedy chops, as she inhabits the character of Mary Dale, in Charles Busch's satirical look at 1950's Hollywood

Charles Busch satirizes McCarthy-era politics and the Hollywood star system in this campy comedy

The American Conservatory Theatre's Master of Fine Arts program presents Christopher Durang's 'Baby With The Bathwater' and Charles Busch's 'Red Scare on Sunset,' playing in repertory October 18 through November 4 at the Zeum Theater.