Laurie Paton

In a new production of AUGUST: OSAGE COUNTY, director Jackie Maxwell guides a 13-person cast through the highs and lows of the Weston family during a family tragedy. In Maxwell and the ensembles' capable hands, Tracy Letts's delicate balance of comedy and cruelty is presented as fully as possible.

Pharus has an angelic voice destined to praise God through Gospel music. Can his classmates, their parents, and the Drew School for African-American boys accept the person behind the voice?

Witness the drama and emotion of an entertaining family dinner fraught with secrets and tension when The Humans begins January 6, 2018, at the Citadel Theatre.

Witness the drama and emotion of an entertaining family dinner fraught with secrets and tension when The Humans begins January 6, 2018, at the Citadel Theatre.

Witness the drama and emotion of an entertaining family dinner fraught with secrets and tension when The Humans begins January 6, 2018, at the Citadel Theatre.

The new Citadel Theatre season, starting in less than two weeks, is literally stellar for the many accomplished artists, local, national, and international, who will appear on Citadel stages in the coming months.

The Shaw Festival is known for dusting off old chestnuts and breathing new life into them. Unfortunately, its new production of Moss Hart's LIGHT UP THE SKY is  a chestnut better left in the attic to continue gathering dust.  Compared to his successful plays, like THE MAN WHO CAME TO DINNER  (with 739 Broadway performances) and YOU CAN'T TAKE IT WITH YOU (838 performances), LIGHT UP THE SKY is a second string comedy that seems stale and dated. It's initial run on Broadway was only a modest success, running 200 performances, and revivals have not fared much better.

The production of Chekov's 'The Seagull,' now on at the Berkley Street Theatre, is an uneven disappointment. It fails to engage. Like Theatre 20's production of Stephen Sondheim's 'Company,' presented in the same venue last year, this Crow's Theatre production does not deliver on its exciting promise.

The Shaw Festival today announced principal casting and creative team details for its 54th season.

A new production of Major Barbara, one of Bernard Shaw's most celebrated and provocative works, began previews May 2 in the intimate space of the Shaw Festival's Royal George Theatre.

The curtain rises tomorrow on the Shaw Festival's 52nd season when W. Somerset Maugham's glittering satire Our Betters begins previews at the Royal George Theatre. Morris Panych brings his usual directorial panache to this brilliant "take no prisoners" portrait of marriage - where English estates and titled aristocracy are bought with the traditional "I do" and a large American dowry. Longtime collaborators Ken MacDonald and Charlotte Dean design the sets and costumes, respectively.

An exceptional collection of talent has been assembled to bring the Shaw Festival's 52nd season to life - a unique and entertaining playbill rich with new and provocative conversations, culture clashes, magical transformations and dazzling ideas. The Salvation Army marches in this season with freshly re-envisioned productions of Guys and Dolls, one of musical theatres most celebrated pieces, and Shaw's Major Barbara - an ever relevant and potent play.

In the Spirit of George Bernard Shaw, the Shaw Festival provokes the mind and stirs the soul through a theatre experience so compelling that, year after year, ever broadening groups of artists, audiences and supporters are drawn to our work in Niagara-on-the-Lake and beyond.

Ways of the Heart, the final trio in the Shaw Festival's historic presentation of Noel Coward's Tonight at 8:30 collection, opened at the Court House Theatre on Saturday, August 1, 2009.

For its 2009 season, The Shaw takes on a monumental and historic project with full productions of each play in Noel Coward?s famous Tonight at 8:30 collection. The Shaw?s 2009 productions represent the first time all ten short plays have been performed in repertory by a professional company since they were first produced by London?s Phoenix Theatre in 1935-36. The plays will be performed in sets of three, one on each of the Festival?s Niagara-on-the-Lake stages, with the tenth, the rarely produced Star Chamber, being the lunchtime production in the Royal George. And to celebrate this idea for the event that it is, on two separate occasions, we will present all ten in one day ? an event we are appropriately naming ?Mad Dogs and Englishmen?.