Jack Card
Latest News on Jack Card:
RACE CARD by Karma Mayet Comes to JACK (Nov 15, 2017)
Extra Matinee Announced for PRISM at Hampstead Theatre in Aid of the Royal Theatrical Fund (Oct 3, 2017)
Hampstead Theatre Announces its Autumn Season 2017 for the Main Stage (May 19, 2017)
RACE CARD by Karma Mayet Comes to JACK (Nov 15, 2017)
Extra Matinee Announced for PRISM at Hampstead Theatre in Aid of the Royal Theatrical Fund (Oct 3, 2017)
Hampstead Theatre Announces its Autumn Season 2017 for the Main Stage (May 19, 2017)
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RACE CARD by Karma Mayet Comes to JACK
Playwright/performer Karma Mayet shares stories of America's tortured relationship to race both personal and historical set within the frame of a game of Bid Whist with the audience. With a winning card guiding the choice of story, on any given night she may summon her own experiences moving from Chicago to an all-white town in Illinois, widening to passed-down tales of the Great Migration and the Pullman Porters, smack up against her own current experiences navigating New York microagressions. In this participatory piece, Mayet creates a wonderland of playful intellect, inhabited by humor that bites and characters that speak in twisted tongues. Race Card unpacks the musty traveling papers stuffed into the 21st century's history bags, and rifles through the audience's very own drawers as well, calling on them to join the fray of stage play with both cued and improvised live-ness at every turn.
Playwright/performer Karma Mayet shares stories of America's tortured relationship to race both personal and historical set within the frame of a game of Bid Whist with the audience. With a winning card guiding the choice of story, on any given night she may summon her own experiences moving from Chicago to an all-white town in Illinois, widening to passed-down tales of the Great Migration and the Pullman Porters, smack up against her own current experiences navigating New York microagressions. In this participatory piece, Mayet creates a wonderland of playful intellect, inhabited by humor that bites and characters that speak in twisted tongues. Race Card unpacks the musty traveling papers stuffed into the 21st century's history bags, and rifles through the audience's very own drawers as well, calling on them to join the fray of stage play with both cued and improvised live-ness at every turn.
Extra Matinee Announced for PRISM at Hampstead Theatre in Aid of the Royal Theatrical Fund
Robert Lindsay, Claire Skinner, Barnaby Kay and Rebecca Night with Hampstead Theatre are proud to announce an extra performance of Terry Johnson's sell-out show Prism in aid of The Royal Theatrical Fund on Thursday 12 October 2.30pm.
Robert Lindsay, Claire Skinner, Barnaby Kay and Rebecca Night with Hampstead Theatre are proud to announce an extra performance of Terry Johnson's sell-out show Prism in aid of The Royal Theatrical Fund on Thursday 12 October 2.30pm.
Hampstead Theatre Announces its Autumn Season 2017 for the Main Stage
Hampstead Theatre announces its Autumn season 2017 for the Main Stage: The world premiere of Prism, based on the life of legendary cinematographer Jack Cardiff, is written and directed by Terry Johnson and will star Robert Lindsay and Claire Skinner.
Hampstead Theatre announces its Autumn season 2017 for the Main Stage: The world premiere of Prism, based on the life of legendary cinematographer Jack Cardiff, is written and directed by Terry Johnson and will star Robert Lindsay and Claire Skinner.
Moving Image's SEE IT BIG! Series Tributes Great Cinematographers, 11/8-12/29
Museum of the Moving Image's ongoing series See It Big! presents classic and contemporary films on the big screen in the beautiful Sumner M. Redstone Theater. In November and December, the Museum will showcase 22 films photographed by some of the world's greatest cinematographers, including Gordon Willis, Vittorio Storaro, Vilmos Zsigmond, Nestor Almendros, Raoul Coutard, James Wong Howe, and more. The series, See It Big!: Great Cinematographers, runs from November 8 through December 29, 2013.
Museum of the Moving Image's ongoing series See It Big! presents classic and contemporary films on the big screen in the beautiful Sumner M. Redstone Theater. In November and December, the Museum will showcase 22 films photographed by some of the world's greatest cinematographers, including Gordon Willis, Vittorio Storaro, Vilmos Zsigmond, Nestor Almendros, Raoul Coutard, James Wong Howe, and more. The series, See It Big!: Great Cinematographers, runs from November 8 through December 29, 2013.
SMASH Character Card - Jack Davenport as DEREK WILLS
Derek (Jack Davenport) is one of Broadway's most brilliant director-choreographers not to mention one of its most seductive and arrogant figures. Season One of SMASH tested Derek's award-winning genius in his quest to bring an untested new musical to the New York stage while juggling personal relationships with the show's leading ladies. Catch Derek's bad-boy tactics in SMASH Season One - now available on DVD!
Derek (Jack Davenport) is one of Broadway's most brilliant director-choreographers not to mention one of its most seductive and arrogant figures. Season One of SMASH tested Derek's award-winning genius in his quest to bring an untested new musical to the New York stage while juggling personal relationships with the show's leading ladies. Catch Derek's bad-boy tactics in SMASH Season One - now available on DVD!
SMASH Character Card #5 Jack Davenport as Derek Wills
Derek is one of Broadway's most brilliant director-choreographers-and one of its most seductive bad boys. But even Derek's award-winning genius is strained by the demands of bringing an untested new musical to the New York stage.
Derek is one of Broadway's most brilliant director-choreographers-and one of its most seductive bad boys. But even Derek's award-winning genius is strained by the demands of bringing an untested new musical to the New York stage.
MoMA Film Presents David Niven: A Centenary Tribute 4/17
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
MoMA Film Presents David Niven: A Centenary Tribute 4/17
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
MoMA Film Presents David Niven: A Centenary Tribute 4/17
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
David Niven (1910-1983) was an actor of such diverse talents and charm that he is often categorized using clichéd phrases like 'urbane light comedian' or 'leading man.' These descriptions are indeed accurate, but one does not survive before the camera for a half-century on charm alone. The problem-if you can call it that-is that Niven made it all look too easy. Like Phileas Fogg in Around the World in 80 Days, he took everything in stride, unflappably and (seemingly) effortlessly playing his part, always prepared for whatever came his way. He was, after all, originally a military man by profession. He then chose to 'bum' around America, eventually winding up in Hollywood. Just as his film career began to blossom, he was one of the first to answer Britain's call when World War II broke out, serving on active duty for the duration and rising to the rank of colonel. He even made two propaganda films during brief leaves, including The Way Ahead, which is included in this series. After making his return in Michael Powell and Emeric Pressburger's masterpiece A Matter of Life and Death (Stairway to Heaven), he resumed a glorious career in film, theater, television, and writing with his typical debonair insouciance. This series aims to recapture some of the special glory that was David Niven.
Frost/Nixon Character Card #2 Kevin Bacon as Lt. Col. Jack Brennan
Kevin Bacon portrays retired military officer (and Nixon's chief of staff after the president left office) Lt. Col. Jack Brennan. As Nixon's negotiator in setting up the terms and ground rules for the interviews, Brennan was a bulldog.
Kevin Bacon portrays retired military officer (and Nixon's chief of staff after the president left office) Lt. Col. Jack Brennan. As Nixon's negotiator in setting up the terms and ground rules for the interviews, Brennan was a bulldog.
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