Debbie Korley

Watch footage from the first day of rehearsal of Anna Ledwich’s new production of Coram Boy, running at Chichester Festival Theatre from 24 May – 15 June and at The Lowry, Salford from 21 – 29 June in the video here!

The full cast has been announced for Anna Ledwich’s new production of Coram Boy, running at Chichester Festival Theatre from 24 May – 15 June and at The Lowry, Salford from 21 – 29 June.

Disruption comes from a place of curiosity. It’s an intellectually provocative story, expertly woven into an absorbing piece of choral theatre.

Production images have been released for the world premiere of Disruption by Andrew Stein, playing now at the Park Theatre until 5 August.

The full cast has been announced for the forthcoming world premiere of Disruption by Andrew Stein. 

Original Theatre and Riverside Studios have announced the forthcoming release dates of Miles and The Fall - the next two play-readings in their Originals online on demand series, featuring the winners of Original Theatre Company's Originals Playwriting Award. 

Joan of Arc has long been a symbol of female empowerment. Her ascent to patron saint of France is often described as a tale of gender non-conforming rebellion for women to aspire to. Shakespeare's Globe and writer Charlie Josephine (they/he) have dismantled this depiction of womanhood, redefining Joan's experiences through the lens of trans existence. In I, Joan, the protagonist traverses the same war and faith we as an audience are accustomed to, whilst also advocating for and navigating their nonbinary identity.

Original Theatre and Riverside Studios are delighted to present Originals online on demand, featuring the world première play-readings of Tikkun Olam by Teunkie Van Der Sluij, The Fall by Drew Hewitt, and Miles by Eilidh Nurse – the winners of Original Theatre Company's Originals Playwriting Award. 

Shakespeare's Globe has announced casting for the premiere of I, Joan, which runs from 25 August to 22 October.

Original Theatre Company today announces the all-star cast for the script-in-hand performances from the three shortlisted plays for the Originals Playwriting Award.

As the most notorious monarch in British history, Henry VIII's rule was tyrannous and imposing. Known for his colossal physique and consort of six unlucky wives, Henry Tudor has long stood as an example of the damage done by brutish men with excessive power. His reputation as a prolific abuser of women has inspired an array of assertive feminist theatre and this offering by Shakespeare's Globe is no exception.

The Royal Shakespeare Company today released Sonnets in Solitude, a selection of Shakespeare's sonnets self-recorded by RSC actors while in lockdown. Many of the actors were working with the RSC at the time of the theatre's temporary closure on 17 March and have been unable to perform or rehearse since.

The Whip packs so much into its near three hour running time that its issues, anger and need to educate drowns its dramatic potential and we're left with something that fails to reach its considerable potential.

Following the world premiere at Stratford a?"upon-Avon, Kiln Theatre and the Royal Shakespeare Company today announce the full cast for the London run of A Museum in Baghdad. Director Erica Whyman reunites David Birrell (Professor Leonard Woolley), Houda Echouafni (Layla Hassan), Emma Fielding (Gertrude Bell), Ali Gadema (Kidnapper, Prime Minister), Rendah Heywood (Ghalia Hussein), Zed Josef (Salim), Nadi Kemp-Sayfi (Nasiya), Debbie Korley (Sam York), Riad Richie (Mohammed Abdullah), and Rasoul Saghir (Abu Zaman). The production opens at Kiln Theatre on 28 April, with previews from 22 April, and runs until 23 May.

Actress Katherine Pearce makes her Royal Shakespeare Company debut this season, featuring in both King John and The Whip, a new play by Juliet Gilkes Romero.

As the 19th Century dawns, politicians of all political persuasions gather in London to abolish the slave trade once and for all. But will the price of freedom turn out to be a multi-billion pound pay off to the slave owners, even though such a bailout could drive the country into economic and political ruin?

Hannah Khalil's new play grapples with some big issues for over two hours, but the biggest issue of all for any play - the drama between the characters - is absent for much of that time.

Casting details are announced for the Royal Shakespeare Company's productions of King John and A Museum in Baghdad opening in the Swan Theatre this winter.

Ever wondered what goes into creating your favourite productions? Those moments of magic (or macabre) where you go 'How did they do that?!' In our new Special Effects series, we'll be discovering how the worlds on stage come to life by exploring the worlds off stage, talking to the creatives and crews from some of the UK's biggest shows and theatre companies. This month, we're looking at stage blood and effects in two infamously bloody shows. We spoke to the Company Stage Manager on Michael Grandage's The Lieutenant of Inishmore and the Designer of the Royal Shakespeare Company's Tamburlaine, who shared their practices (and a few secrets).

'That old copper statue by the Courthouse downtown, honouring the dead Confederate soldier, ain't there no more…'