Dale Rieling

The holiday season is not complete without the perfect music to accompany it. After a two year Pandemic Pause 'Broadway's Carols for a Cure 2022' is back with the 22nd recording that embodies the spirit of the season like nothing else can.

Andrew Lloyd Webber's sequel to one of Broadway's longest running musicals, THE PHANTOM OF THE OPERA, is his show LOVE NEVER DIES; which is currently touring across the United States. The tour staging is inspired by the reworked 2011 Australian production of the musical. To give Austin audiences an inside look into the show, we talked with Sean Thompson who plays hero turned flawed husband and father, Raoul, Vicomte de Chagny.

A Philly boy, Sean Thompson, sees the country in Andrew Lloyd Webber's Love Never Dies. See how he got to be so lucky.

'Love Never Dies' is absolutely worth seeing.  It is lush.  The voices are beyond exceptional.  Sets, costumes, and effects are haunting. The direction by Australians Simon Phillips and choreography by Graeme Murphy AO completely envelop the space allowed.  The traveling pit orchestra conducted by Dale Rieling is as good as it gets.  There are several, new, show stopping songs and lots of achingly beautiful echoes of the original Phantom score.

Andrew Lloyd Webber's sequel to his smash hit THE PHANTOM OF THE OPERA, entitled LOVE NEVER DIES is currently touring across the United States. The staging of the production is inspired by the reworked 2011 Australian premiere of the musical. To give Houston audiences an inside look into the show sure to leave them spellbound, we sat down with Sean Thompson who plays hero turned flawed husband and father, Raoul, Vicomte de Chagny.

We cannot help but wonder: Do peacock feathers foretell of something far more sinister and portentous than what we've seen already in both Love Never Dies and The Phantom of the Opera await our heroine in the moments to follow? We won't spoil the outcome for you, of course, but suffice it to say that those pesky peacock feathers continue to work their devilment in the intriguing production now onstage at Nashville's Tennessee Performing Arts Center through Sunday, June 24.

There are many, very obvious spectacular things that stand out while watching LOVE NEVER DIES, Andrew Lloyd Webber's infamously, uh, troubled 2010 musical follow-up to his long-running global hit THE PHANTOM OF THE OPERA, now continuing its two-week engagement at Segerstrom Center for the Arts in Costa Mesa through May 5, 2018. While, sure, the show is stunning in its visual artistry and musical performances, the rest is repetitively frustrating. Unless you're a huge PHANTOM fan already or are perhaps maybe morbidly curious as to what the fuss is all about---LOVE NEVER DIES, sadly, doesn't offer much else to audiences beyond its superficial surface beauty.

The North American tour of LOVE NEVER DIES brings the musical to the United States for the first time since its 2010 London premiere, and is playing at the Boston Opera House through February 11th as part of the 2017-2018 Lexus Broadway in Boston Season.

The talent in this production of Love Never Dies is unquestionably top-notch, and both of the leads truly seem to be pouring 110% of themselves into their performances - unquestionably focused and committed to each other, to the moment, and to the music of Andrew Lloyd Webber.

THE PHANTOM OF THE OPERA I just experienced at the Kennedy Center renewed my faith in the show: it is a delight for all the senses, possesses dazzling stagecraft, and is performed by a cast that mines the romance, danger, and intrigue from the story and score. I declare this production a dream come true. Chris Mann, formerly a contestant on THE VOICE headlines the show in the title role, performing with mystery and power. His Christine on the night I attended, Kaitlyn Davis, was stunning, as well.

After 28 years, more than 10,000 performances on Broadway (where it reigns as the longest running show in history), countless tours and with rabid fans greeting the show at every stop, Andrew Lloyd Webber's The Phantom of the Opera continues to amaze and delight, as noted in its press opening at Nashville's Tennessee Performing Arts Center's Andrew Jackson Hall on March 11.

The NAACP Beverly Hills/Hollywood Branch's Theatre Viewing Committee announces nominations for the 25th Annual NAACP Theatre Awards. The awards include 32 categories, which encompass local and equity nominations. Winners will be announced in the first quarter of 2016.

The Milwaukee Symphony Orchestra Pops presents Do You Hear the People Sing this weekend, March 6-8, 2015 at the Marcus Center for the Performing Arts.

MILWAUKEE, WIS. 02/24/2015 – The Milwaukee Symphony Orchestra Pops presents Do You Hear the People Sing on March 6-8, 2015 at the Marcus Center for the Performing Arts. Conducted by Dale Rieling, the performance celebrates the work of prolific musical theater writers Alain Boublil and Claude-Michel Schönberg and includes music from Les Misérables, Miss Saigon, and much more. Featured artists are the MSO Chorus, directed by Lee Erickson, and vocalists Eric Kunze, Terrence Mann, Jennifer Paz, Kathy Voytko, and Marie Zamora.

It's your last week to vote for the 2014 BroadwayWorld Los Angeles Regional Awards! Check out the latest live stats as of December 26th. Voting closes at the end of the year, in under one week!

Voting has now opened for the 2014 BroadwayWorld Los Angeles Regional Awards! Check out the latest live stats as of December 4th.

The York Theatre Company, dedicated to the development of new musicals and preserving musical gems from the past, concludes the Fall 2014 Musicals in Mufti Series with the first New York revival and world premiere of a new re-imagined version of the 1992 musical, My Favorite Year, with book byJoseph Dougherty, lyrics by Lynn Ahrens, and music by Stephen Flaherty, based on the motion picture by Dennis Palumbo and Norman Steinberg. Below, BroadwayWorld brings you production photos from the show!

The York Theatre Company, dedicated to the development of new musicals and preserving musical gems from the past, concludes the Fall 2014 Musicals in Mufti Series with the first New York revival and world premiere of a new re-imagined version of the 1992 musical, My Favorite Year, with book byJoseph Dougherty, lyrics by Lynn Ahrens, and music by Stephen Flaherty, based on the motion picture by Dennis Palumbo and Norman Steinberg. Below, BroadwayWorld brings you photos of the opening!

The York Theatre Company, dedicated to the development of new musicals and preserving musical gems from the past, concludes the Fall 2014 Musicals in Mufti Series with the first New York revival and world premiere of a new re-imagined version of the 1992 musical, My Favorite Year, with book by Joseph Dougherty, lyrics by Lynn Ahrens, and music by Stephen Flaherty, based on the motion picture by Dennis Palumbo and Norman Steinberg. The limited engagement of My Favorite Year will play 5 performances only this weekend, December 5-7, 2014 at The York Theatre Company's home at Saint Peter's (Entrance on East 54th Street, just east of Lexington Avenue).

Voting has now opened for the 2014 BroadwayWorld Los Angeles Regional Awards! Check out the latest live stats as of December 4th.