Christopher Coomer

The Nutcracker is beloved for many reasons; the endless eye candy, the dynamic score, and the marriage of artistry and excellence. The element of tradition keeps us coming back for more. We yearn to feel connection, and to remember what it's like to wonder about magical things. Houston Ballet's multi-faceted Nutcracker is a delicious carnival of mystery and joy. Creative director Stanton Welch has built a production that serves the audience and leaves us completely fulfilled. Nothing sends you back to your childhood more quickly, with all things seemingly possible and your imagination offering an endless sweet escape.

TUTS' OKLAHOMA is now on stage through September 23rd! Priscilla Lopez stars as 'Aunt Eller' in the production and is joined by Sam Simahk as 'Curly,' Olivia Hernandez as 'Laurey,' Madeline Hamlet as 'Ado Annie,' Logan Keslar as 'Ike Skidmore', Hassan Nazari-Robati as 'Ali Hakim,' Christopher Campbell as 'Will Parker,' Eric Ulloa as 'Jud Fry,' David Sitler as 'Andrew Carnes,' and Dewey Caddell as 'Cord Elam.'

Tony Award winner Priscilla Lopez will lead the cast in the role of 'Aunt Eller' in Theatre Under The Stars' (TUTS) production of Rodgers and Hammerstein's Oklahoma!, the first show in the musical theatre company's 50th Anniversary Season.

One of the world's most iconic ballets returns to the stage right here in Houston as Houston Ballet presents Stanton Welch AM's Swan Lake. The much-anticipated final production of the 201718 season will wrap up Houston Ballet's Hometown Tour in venues across the city, with performances June 23-July 1 at Jones Hall, where Houston Ballet began performing in 1966 before moving to the Wortham Theater Center in 1987.

One of the world's most iconic ballets returns to the stage right here in Houston as Houston Ballet presents Stanton Welch AM's Swan Lake. The much-anticipated final production of the 201718 season will wrap up Houston Ballet's Hometown Tour in venues across the city, with performances June 23-July 1 at Jones Hall, where Houston Ballet began performing in 1966 before moving to the Wortham Theater Center in 1987.

A DARKER SWAN LAKE GLIDES ONTO HOUSTON'S JONES HALL STAGE

Last month, the Houston Ballet revived Ben Stevenson's DON QUIXOTE. And this month, as part of its community outreach, the company will present free performances of the production MAY 11, 2018 through 13, 2018 at Miller Outdoor Theatre.

Houston Ballet Artistic Director Stanton Welch AM and Academy Interim Director Vicki Attard are thrilled to announce an addition to Houston Ballet's annual Summer Programming.

From March 16 - 26, Houston Ballet offers up a mixed repertory program Director's Choice: Legends and Prodigy, featuring three company, dancer and audience favorites.

In this retelling of the beloved fairy tale, pretty much everything is thrown out the window for a darker, edgier story of an independent woman fighting against her circumstances for a chance at a better life.

The current offering from the Houston Ballet, MADAME BUTTERFLY with SON OF CHAMBER SYMPHONY, is a study of contrasts - economy and luxury.

Three years and millions of dollars in the making, Stanton Welch's take on ROMEO AND JULIET is magnificent. This is not empty praise for the Houston Ballet's artistic director. Plot complexities aside, ROMEO AND JULIET is a simple story: two teens are in love in a world where their love is impossible. And for all of the spectacle, Welch trusts this simple story.

As a ballet, THE MERRY WIDOW is an adaptation of Franz Lehar's popular romantic operetta Die Lustige Witwe (The Merry Widow), which premiered in 1905. In the process of adapting the score for ballet, John Lanchbery and Alan Abott retained the style of Franz Lehar's orchestrations and included several of the well-known tunes from the operetta. Their score premiered in 1975 when The Australian Ballet, under the Musical Direction of John Lanchbery, produced the World Premiere production with choreography by Ronald Hynd and Scenario and Staging by Sir Robert Helpmann. This grandiose and radiant ballet of THE MERRY WIDOW had its Houston Ballet Premiere on September 17, 1995 in the Brown Theater. The Houston Ballet also performed it in 1999 and 2007. Now, in 2013, the lavish production is serving as Mireille Hassenboehler's gorgeous swan song and letter of admiration to the audiences of the Houston Ballet.

Houston Ballet is kicking off the summer with their resplendent production of JOURNEY WITH THE MASTERS. This amazing treat is made complete with thrilling dance compositions by three of the world's leading modern choreographers, George Balanchine, Ji?i Kylian, and Jerome Robbins. The three acts are vastly different from each other and superbly enchant audiences with their uniqueness.

For the first time in its 41-year history, the Oklahoma City Ballet will present a full-length production of Swan Lake, widely considered among the most technically and emotionally challenging classical ballets of all time.

For the first time in its 41-year history, the Oklahoma City Ballet will present a full-length production of Swan Lake, widely considered among the most technically and emotionally challenging classical ballets of all time.

The Houston Ballet organization is imbued with talent from top to bottom. Last year, they organized an event in which the dancers got to experiment and begin growing their own individual choreographic voices. Thursday, December 13, 2012 was their second event with this goal in mind. A small, invitation only audience was treated to an evening of fantastic talent on display in 14 world première ballets by names that are sure to leave a lasting impression on the world of dance.

The main purpose and goal of Houston Ballet's WOMEN@ART is to celebrate the ability of women to choreograph interesting, thought-provoking, and fully realized ballets. In 2004, Stanton Welch was met with fantastic success the first time he programmed three one-act ballets choreographed by women in his inaugural WOMEN@ART performance. The 2012 offering, complete with a World Premiere by Aszure Barton, will hopefully motivate and empower young girls and women interested in dance and choreography to follow their dreams while opening a dialogue about the value of female voices in the dance world.