Bari player Josh Sinton is releasing a solo double album on Jan. 12, showcasing his impressive technique, improvisation, and imagination.
Black Mountain College Museum + Arts Center presents BLACK MOUNTAIN COLLEGE AND MEXICO, June 2–September 9, 2023.
MOCA Jacksonville has announced the upcoming exhibition Don't Blame it on ZEN: The Way of John Cage & Friends.
On Today, October 19, 2018 at 8:00pm, Black Mountain College Museum + Arts Center (BMCM+AC) presents a performance by Jace Clayton aka DJ /rupture in conjunction with the African Americans in WNC & Southern Appalachia Conference. The event features Clayton's latest video The Jacob Lawrence of Jacob Lawrence, a hand-drawn animation with texts that form part of the script for the live performance, inspired by BMCM+AC's landmark exhibition Between Form and Content: Perspectives on Jacob Lawrence.
On Friday, October 19, 2018 at 8:00pm, Black Mountain College Museum + Arts Center (BMCM+AC) presents a performance by Jace Clayton aka DJ /rupture in conjunction with the African Americans in WNC & Southern Appalachia Conference. The event features Clayton's latest video The Jacob Lawrence of Jacob Lawrence, a hand-drawn animation with texts that form part of the script for the live performance, inspired by BMCM+AC's landmark exhibition Between Form and Content: Perspectives on Jacob Lawrence.
Black Mountain College Museum + Arts Center (BMCM+AC) has announced its fall 2018 season of exhibitions and cultural events in Asheville.
On Saturday, September 8, 2018 at 8pm, Black Mountain College Museum + Arts Center (BMCM+AC) presents a special, free preview concert by Grammy-nominated vocalist Theo Bleckmann and jazz guitarist Ben Monder, part of BMCM+AC's celebration of its new permanent home at 120 College St. in downtown Asheville. For over 15 years, the Theo Bleckmann & Ben Monder Duo has toured the U.S., Europe, and Asia creating a unique approach to what might be called 'jazz art song,' blurring the boundaries between jazz, classical, ambient and rock.
Merce Cunningham is widely considered one of the most important choreographers of all time. Throughout his 70-year career, he continued to innovate, helping to drive the evolution of the American avant-garde and expanding the frontiers of contemporary visual and performance arts.
International Conference Gathers Artists and Scholars Who Explore the History and Legacy of the Groundbreaking Black Mountain College, Where Willem de Kooning, John Cage, Buckminster Fuller, Merce Cunningham, Franz Kline and Robert Rauschenberg Collaborated in the Mid-20th Century
In conjunction with The Museum of Modern Art's exhibition Robert Rauschenberg: Among Friends (May 21-September 17, 2017), Pulitzer prize-winning composer David Lang and the music collective Bang on a Can will present a pair of concerts on Tuesday, May 23 and Wednesday, May 24 at 7pm at the museum's T1 (Titus 1) Theater (11 W 53rd St.), featuring commentary exploring these artistic exchanges and their legacy for contemporary music.
New Amsterdam Records is proud to announce the release of Black Mountain Songs, the debut album from the Grammy Award-winning Brooklyn Youth Chorus, out today and available for purchase from Bandcamp, iTunes, and Amazon.
Leap Before You Look: Black Mountain College 1933–1957 focuses on how, despite its brief existence, BMC became a seminal meeting place for many of the artists, musicians, poets, and thinkers who would become the principal practitioners in their fields of the postwar period. Figures such as Anni and Josef Albers, John Cage, Merce Cunningham, Robert Rauschenberg, Elaine and Willem de Kooning, Buckminster Fuller, Ruth Asawa, Robert Motherwell, Gwendolyn and Jacob Knight Lawrence, Charles Olson, and Robert Creeley, among many others, taught and studied at BMC. Teaching at the college combined the craft principles of Germany's revolutionary Bauhaus school with interdisciplinary inquiry, discussion, and experimentation, forming the template for American art schools. While physically rooted in the rural South, BMC formed an unlikely cosmopolitan meeting place for American, European, Asian, and Latin American art, ideas, and individuals. The exhibition argues that BMC was as an important historical precedent for thinking about relationships between art, democracy, and globalism. It examines the college's critical role in shaping many major concepts, movements, and forms in postwar art and education, including assemblage, modern dance and music, and the American studio craft movement—influence that can still be seen and felt today.
Michael Fanelli is a multi-talented man. He writes and directs for the theater and is a film maker.
The Black Mountain College Museum + Arts Center (BMCM+AC) celebrates the completion of the first phase of its renovation and expansion in downtown Asheville with the presentation of poemumbles: 30 years of Susan Weil's poem/images. Curated by Brian E. Butler, University of North Carolina Asheville Thomas Howerton Distinguished Professor of the Humanities, and Rachael Inch, Susan Weil Studio archivist and administrator, the exhibition is on view January 30 - May 23, and is accompanied by a roster of public programs. The exhibition includes over 60 of Weil's poemumbles made between 1984 and 2014. Additionally, several of her notebooks will be on display to provide a deeper look into her artistic process.
The Black Mountain College Museum + Arts Center (BMCM+AC) celebrates the completion of the first phase of its renovation and expansion in downtown Asheville with the presentation of poemumbles: 30 years of Susan Weil's poem/images. Curated by Brian E. Butler, University of North Carolina Asheville Thomas Howerton Distinguished Professor of the Humanities, and Rachael Inch, Susan Weil Studio archivist and administrator, the exhibition is on view January 30 - May 23, and is accompanied by a roster of public programs. The exhibition includes over 60 of Weil's poemumbles made between 1984 and 2014. Additionally, several of her notebooks will be on display to provide a deeper look into her artistic process.
From February 24 to May 13, 2012, the Solomon R. Guggenheim Museum presents John Chamberlain: Choices, a major retrospective comprising approximately ninety-five works by the important American artist and the first U.S. museum presentation of his work since 1986. The exhibition examines Chamberlain's development over his sixty-year career, exploring the shifts in scale, materials, and techniques informed by the assemblage, or collage, process that has been central to his working method.
From February 24 to May 13, 2012, the Solomon R. Guggenheim Museum presents John Chamberlain: Choices, a major retrospective comprising approximately ninety-five works by the important American artist and the first U.S. museum presentation of his work since 1986. The exhibition examines Chamberlain's development over his sixty-year career, exploring the shifts in scale, materials, and techniques informed by the assemblage, or collage, process that has been central to his working method.
New York's critically acclaimed Children's Acting Company, which recently produced a successful engagement of 'Seussical The Musical,' will present its new productions of 'High School Musical, Jr. and 'Thirteen The Musical' in late April at the McGinn/Cazale Theatre at 2162 Broadway (4th Floor), at West 76th Street in Manhattan.
New York's critically acclaimed Children's Acting Company, which recently produced a successful engagement of 'Seussical The Musical,' will present its new productions of 'High School Musical, Jr. and 'Thirteen The Musical' in late April at the McGinn/Cazale Theatre at 2162 Broadway (4th Floor), at West 76th Street in Manhattan.
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