I Like it Like That Photos - Off-Broadway

These first four episodes of the final season depict a relationship blossoming between Princess Diana and Dodi Fayed before a fateful car journey has devastating consequences. Check out photos of Imelda Staunton as Queen Elizabeth II, Jonathan Pryce as Prince Philip, Dominic West as Prince Charles, Elizabeth Debicki as Princess Diana, and more.

See photos of Sandra Marvin and Lizzie Bea, stars of hit musical SISTER ACT, currently playing at Wolverhampton Grand Theatre, out and about around the city!

Bay Street Theater has announced their take on AS YOU LIKE IT, by William Shakespeare, directed by Tony Award winner John Doyle, with original music by Stephen Schwartz, will run from August 8 - September 3. For tickets call the Box Office at 631-725-9500 11 am - show time daily or purchase online at www.baystreet.org.

Hot on the heels of the record-breaking, critically hailed Satchmo at the Waldorf, Mosaic Theater Company of DC's Season Two continues with Kirsten Greenidge's riotous, Obie Award-winning MILK LIKE SUGAR (November 2 - 27, 2016), under the direction of Mosaic Theater's Jennifer L. Nelson (The Gospel of Lovingkindness). The play, Mosaic's second DC premiere this season, is a rousing story about young women coming of age in a time when issues of acceptance, mentorship, and materialism challenge the dreams and ambitious of so many teens. It is the first of three plays in Mosaic's 2016-17 season to highlight issues affecting young urban teens and millennials, to be followed by the DC premiere of Philip Dawkins' intergenerational LGBTQ comedy Charm, and the world premiere of Tearrance Arvelle Chisholm's Hooded: Or Being Black for Dummies.

La Jolla Playhouse presents the world-premiere production of Miss You Like Hell, book and lyrics by Pulitzer Prize winner Quiara Alegria Hudes (In the Heights, Water by the Spoonful), music and lyrics by acclaimed singer/songwriter Erin McKeown, directed by Lear deBessonet (Public Theatre's The Odyssey) and choreographed by Danny Mefford(Broadway's Fun Home).

Michele Lee and the RRAZZ Room combine forces this weekend, October 14 & 15, 2016 in New Hope and Philadelphia, Pennsylvania

From the Producers of ¿Quien Mato a Hector Lavoe?, Celia, and La Barberia comes the World Premiere of a brand new musical, I Like It Like That - A Musical for the 2016-2017 season at The Puerto Rican Traveling Theatre (304 W. 47 Street), celebrates its opening tonight, September 22, 2016. The musical is written by David Maldonado & Waddys Jaquez and directed by Waddys Jaquez. BroadwayWorld has a first look at the cast in action below!

Culver City Public Theatre opened its 2016 summer season on Saturday, July 16, for 6 weekends of free theatre in Carlson Park, with two plays, 'Frog Tails' at noon, and 'As You Like It' at 2:00, every Saturday and Sunday through August 21. Carlson Park is the perfect seeing at transforming it into the Forest of Arden for Shakespeare's lighthearted pastoral comedy. Audience members can relax in the shade throughout the play, enjoying the warm temperature and delightful ocean breeze.

Walking down Queen Street, the main shopping boulevard in beautiful Niagara-on-the Lake, during the third week of July, was like being in downtown Cleveland. Cav championship t-shirts and Indian's garb were worn by many of the strollers. Our Toronto friends shared that in almost every play they attended, their neighbors on one or both sides of their seats were from the Cleveland area.

'The more real you play it, the better for any piece, even a comedic piece like this one.' Stage and television actor Robert Creighton is talking about his upcoming role debut in Mel Brooks' Young Frankenstein, which opens August 6th at the Maine State Music Theatre. Creighton, who is playing the meaty role of Frankenstein's bungling, hunchbacked assistant Igor, says of his approach to the part, 'The script is so good, so honed that I just have to say the words and stay out of their way. I don't have to mug. It is so well-crafted that I simply embrace the stupidity of it all, enjoy that and watch the audience enjoy it, too. When you play it for real, you are not making fun of the humor or commenting on the material, and the situation takes care of itself.'