Maybe BEETLEJUICE: THE MUSICAL, is Gen Z’s ROCKY HORROR SHOW. When THE ROCKY HORROR SHOW first premiered in London in 1973, it received mixed reviews from critics. Some praised its campy humor, catchy songs, and provocative themes, others found its content shocking and controversial. However, it quickly gained a cult following among audiences. Fast forward to BEETLEJUICE: THE MUSICAL. It has campy humor, (somewhat) provocative themes, and a cult following. It has a strong presence on social media platforms, with the cast and creative team actively engaging with fans through channels like TikTok, Instagram, and Twitter. This has helped to cultivate a dedicated fan base among younger audiences who are drawn to the show's behind-the-scenes content, fan art, and discussions.
Getting on the phone with Albert Poland totally swept me away and into the world we love for a glorious 45 minutes...
Sex, power, institutional failure, human frailty, betrayal, dreams and madness are at the core of celebrated Cuban-American writer Maria Irene Fornes's Pulitzer-Prize nominated play What of the Night?
Mio Infante, the scenographer and costume designer of this production, talks about the herculean tasks he had to go through along with his team to put on a show that will not only be remembered because of its great lead actors--Michael De Mesa and Audie Gemora as Georges and Albin/Zaza, respectively--but also because of its production values.
A glittering group representing theatre and technology worlds celebrated a beautiful friendship Saturday night when TheatreWorks, the nationally acclaimed theatre of Silicon Valley, staged its annual TheatreWorks Honors gala June 21 at the Palo Alto Hills Golf and Country Club, this year paying tribute to Drama Desk and Outer Critics Circle Award-winning Broadway composer Andrew Lippa (The Wild Party, The Addams Family, Big Fish) and Ray Rothrock, Partner Emeritus of pioneering venture capital firm Venrock. Scroll down for photos!
If you see only one Comedy Improv show during The Hollywood Fringe Festival, go to the source, The Spolin Players, touted by the LA Times as presenting 'Improv as pure and unpredictable as you will find it.'
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