On the verge of death for the umpteenth time, Anna (Linda Lavin) makes a shocking confession to her grown children: an affair from her past that just might have resonance beyond the family. But how much of what she says is true? While her children try to separate fact from fiction, Anna fights for a legacy she can be proud of. With razor-sharp wit and extraordinary insight, Our Mother's Brief Affair considers the sweeping, surprising impact of indiscretions both large and small.
Fortunately, one couldn't imagine a better Anna than Lavin, who's still a stunner at 78...and can stop a show with a mere raise of her eyebrow. Moreover, she can pull off a sitcom-territory line like, 'His arms came around me, strong and soft. He was wearing Aramis.' Late in the play, Greenberg rewards Lavin with a meaty memory-within-a-memory monologue...But such sudden, overwhelming sadness is too much, too late. A Richard Greenberg play at Manhattan Theatre Club is theatrical comfort food; this is his 11th MTC production. Somehow, Our Mother's Brief Affair got overcooked. C
It can't be easy for anyone to live up to Mr. Greenberg's analytical eloquence, especially in a lyrical memory play in which the object of his descriptions is often required to stand mute and embody what's being said about her. Yet throughout this Manhattan Theater Club production, directed a shade too tentatively by Lynne Meadow, Ms. Lavin's poses unfailingly match, and even amplify, Mr. Greenberg's exquisite prose. Anna is but the latest addition to a memorable gallery of sharp-tongued Jewish mothers created by Ms. Lavin during the past several decades...But none of those roles asked quite as much of her as Anna, who is required to exist in both middle and old age, in recollection and reality, sometimes all at once. Ms. Lavin fulfills these demands with such thoroughness and subtlety that I wish the play that surrounds her were more compellingly realized.
2015 | Broadway |
Manhattan Theatre Club Original Broadway Production Broadway |
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