In the constellation of musical comedy masterpieces, Kiss Me, Kate shines as perhaps Broadway's most sparkling achievement.
This is the winner of the first-ever Tony Award for Best Musical, alive with onstage romance, backstage passion, comedy high and low, a hilarious dash of Shakespeare's The Taming of the Shrew, and the songwriting genius of Cole Porter at his stylish, sexy, sophisticated best, including "Too Darn Hot," "So In Love" and "Always True To You In My Fashion." Once again, Roundabout catapults you to musical comedy heaven, with a brand-new Kiss Me, Kate.
Scott Ellis directs Kelli O'Hara, Will Chase, Corbin Bleu, and more - now thru June 2 only!
Without such changes, however, Kiss Me, Kate might not be revivable at all-and that would be a shame, since the Roundabout's production is often a delight. For one thing, it affords an opportunity to rehear Porter's score, which lists heavily toward witty-silly list songs but also includes the beautifully pining 'So in Love' and the acidic 'I Hate Men.' And whatever heat has been tamped down in the central couple flares up elsewhere-most exuberantly, and appropriately, in the second-act opener, 'Too Darn Hot,' a pull-out-the-stops ensemble dance number that all but burns down the house.
The sparkling revival of Cole Porter's Kiss Me, Kate on Broadway (at Studio 54, through June 2) is glorious to watch, a sumptuous treat. But whatever gender controversies the musical, originally mounted in 1948, once provoked, whatever issues it raised about male control and female compliance, have been cheerfully erased.
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